His father ridiculed these verses, in spite of their successful sale, and dissuaded him from any more attempts; but Franklin remained more or less of a verse-writer to the end of his life. Verse-writing trained him to write good prose, and this accomplishment contributed, he thought, more than anything else to his advancement. He had an intimate friend, John Collins, likewise inclined to books, and the two argued and disputed with each other. Franklin was fond of wordy contention at that time, and it was possibly a good mental training for him. He had caught it, he says, from reading his father’s books of religious controversy. But in after-years he became convinced that this disputatious turn was a very bad habit, which made one extremely disagreeable and alienated friends; he therefore adopted during most of his life a method of cautious modesty. He once disputed with Collins on the propriety of educating women and on their ability for study. He took the side of the women, and, feeling himself worsted by Collins, who had a more fluent tongue, he reduced his arguments to writing and sent them to him. A correspondence followed, and Franklin’s father, happening to find the papers, pointed out to his son the great advantage Collins had in clearness and elegance of expression. A hint is all that genius requires, and Franklin went resolutely to work to improve himself. “About this time I met with an odd volume of the Spectator. It was the third. I had never before seen any of them. I bought it, read it over and over, and was much delighted with it. I thought the writing excellent, and wished, if possible, to imitate it. With this view I took some of the papers, and, making short hints of the sentiment in each sentence, laid them by a few days, and then, without looking at the book, try’d to compleat the papers again, by expressing each hinted sentiment at length, and as fully as it had been expressed before, in any suitable words that should come to hand. Then I compared my Spectator with the original, discovered some of my faults, and corrected them. But I found I wanted a stock of words, or a readiness in recollecting and using them, which I thought I should have acquired before that time if I had gone on making verses; since the continual occasion for words of the same import, but of different length, to suit the measure, or of different sound for the rhyme, would have laid me under a constant necessity of searching for variety, and also have tended to fix that variety in my mind, and make me master of it. Therefore I took some of the tales and turned them into verse; and, after a time, when I had pretty well forgotten the prose, turned them back again. I also sometimes jumbled my collections of hints into confusion, and after some weeks endeavored to reduce them into the best order, before I began to form the full sentences and compleat