The true history of the ghost : $b and all about metempsychosis — John Shaqi
The true history of the ghost : $b and all about metempsychosisPepper, John Henry
History
The true history of the ghost : $b and all about metempsychosis
Pepper, John Henry
Magic tricks -- Equipment and supplies -- History
Lord Westbury commenced by alluding to the drawing brought forward
by the Plaintiffs, and said, “I have examined the affidavit and
the drawings, and find it is as nearly as possible a copy of the
Defendant’s own drawing deposited in confidence in the archives of
the Patent Office, and when I visit that establishment will take care
to enquire who has presumed to allow the Plaintiffs permission to
copy the Defendant’s original drawing of the apparatus used to show
the ghost. I well remember,” continued his Lordship, “being taken
to the house of Belzoni, the distinguished traveller, and seeing an
effect no doubt somewhat similar to that produced by the Defendant’s
apparatus, but I could not for one moment compare the toy of Belzoni
with the refined and complete contrivances used by the Defendant at
the Royal Polytechnic. An affidavit has been put in by the Plaintiffs,
sworn to by a person calling himself a ‘nigger minstrel.’ He is
elsewhere denominated an ‘Ethiopian Serenader,’ who had seen the
Defendant’s ghost shown years ago—a very respectable man, no doubt,
in his vocation; but to put the evidence of such a person against
the affidavits of Michael Faraday, Sir David Brewster, and Professor
Wheatstone, is a manifest absurdity. I, therefore, rule that the Great
Seal of England be at once attached to the Defendant’s patent, and that
the Plaintiffs do pay the costs.”
After certifying for the costs and having a little conversation with
my solicitor and self, his Lordship withdrew, and we all went back
to town. The reader can imagine my feelings of joy at the successful
upshot of this trial when he learns that I had already received large
sums for licences which I must have refunded if the case had gone
against me.
For many years the ghost at the Polytechnic pursued its successful
career, and earned £12,000 in a comparatively short space of time. I
received an illuminated address of thanks, with a handsome honorarium,
from the directors, and subsequently they presented my bust in marble
to my late dear wife, with a letter from the Rev. J. B. Owen, M.A., the
highly-gifted chairman of the old Royal Polytechnic.
Very few persons could understand how the ghost was produced, although
many persons wrote about and explained it; even the distinguished
philosopher, Michael Faraday, when I took him behind the scenes, said,
with his usual love of truth: “Do you know, Mr. Pepper, I really don’t
understand it.” I then took his hand, and put it on one of the huge
glass plates, when he said, “Ah! now I comprehend it; but your glasses
are kept so well protected I could not see them even behind your
scenes.”
METEMPSYCHOSIS.
Public-domain text, read in full here on John Shaqi.
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