Many of the tales are concerned with fighting, for that is the most dramatic part of mortal business. These English captives who retake a ship from the Turks, these heroes of the _Shannon_ and the _Chesapeake_, were doubtless good men and true in all their lives, but the light of history only falls on them in war. The immortal Three Hundred of Thermopylae would also have been unknown, had they not died, to a man, for the sake of the honour of Lacedaemon. The editor conceives that it would have been easy to give more 'local colour' to the sketch of Thermopylae: to have dealt in description of the Immortals, drawn from the friezes in Susa, lately discovered by French enterprise. But the story is Greek, and the Greeks did not tell their stories in that way, but with a simplicity almost bald. Yet who dare alter and 'improve' the narrative of Herodotus? In another most romantic event, the finding of Vineland the Good, by Leif the Lucky, our materials are vague with the vagueness of a dream. Later fancy has meddled with the truth of the saga. English readers, no doubt, best catch the charm of the adventure in Mr. Rudyard Kipling's astonishingly imaginative tale called 'The Best Story in the World.' For the account of Isandhlwana, and Rorke's Drift, 'an ower-true tale,' the editor has to thank his friend Mr. Rider Haggard, who was in South Africa at the time of the disaster, and who has generously given time and labour to the task of ascertaining, as far as it can be ascertained, the exact truth of the melancholy, but, finally, not inglorious, business. The legend of 'Two Great Cricket Matches' is taken, in part, from Lillywhite's scores, and Mr. Robert Lyttelton's spirited pages in the 'Badminton' book of Cricket. The second match the editor writes of 'as he who saw it,' to quote Caxton on Dares Phrygius. These legends prove that a match is never lost till it is won.