The true story of Humpty Dumpty : $b how he was rescued by three mortal children in Make Believe LandChapin, Anna Alice
General
The true story of Humpty Dumpty : $b how he was rescued by three mortal children in Make Believe Land
Chapin, Anna Alice
Characters in literature -- Juvenile fiction; Children -- Juvenile fiction; Children's stories; Fairy tales; Fantasy fiction
“That is part of Make Believe Land,” said Bizzybuzz, “and a very
important part, too: the City of Dreams. Some day you shall go there,
if you like, and see the Garden of Good Dreams and the Forest of
Nightmares. That city is on the dividing line between the Real World
and Make Believe Land. See where the coloured clouds begin! First they
are gray and dull,—that is because they are still on the side of the
Real World; then they grow bright and lovely, for they are floating, as
we are, over the City of Dreams.”
The owl flew on faster and faster. All sorts of wonderful things
glimmered past beneath: forests of silver trees with fruit of gold,
meadows with jewels for flowers, green woodland places from which the
softest magical music rose forever, dreamy gardens, and marvellous
rivers; and still on and on they went.
“Ah!” exclaimed Bizzybuzz, and his voice sounded quite frightened.
“Look well now, for this is a place which you will hear of very soon
again: this is the Sea of Glass!”
The Sea of Glass was broad and gleaming. There was something very queer
about its motionless, shiny surface. It was still a little distance
away, but just under them was a city built entirely of some bright red
stuff. It glittered scarlet in the soft light.
“What is this place under us?” asked Dick.
“That,” said Bizzybuzz, in a shuddering whisper, “is the terrible Red
City,—the City of the Wicked King!”
They wanted to ask more about it, but there were too many things at
which to look. I could not even try to describe to you that wonderful
flight over Make Believe Land. The children never forgot it, and
among their many strange adventures it really made the greatest
impression,—perhaps because it was the first.
At last they found themselves flying over a wooded country, where there
were quaint little houses and funny animals,—and even groups of people,
all in Kate Greenaway costumes. It seemed homelike and commonplace, and
really comforting after all the mists and towers and rivers and seas
they had seen, and they asked eagerly, “What is this place?”
“This,” answered their guide, “is Mother Goose’s own country, and you
are at your journey’s end.”
[Illustration]
IV
_Mother Goose’s Cottage_
[Illustration]
[Illustration]
CHAPTER IV
_Mother Goose’s Cottage_
The owl dropped to the earth like a piece of lead, and the three
children, clambering off, found themselves in a little forest glade in
front of a cottage,—a cottage that was small and quaint and pretty,
with old-fashioned latticed windows, and a trim gay garden in front.
Bizzybuzz went to the door, and rapped upon it with his queer wee
hand, crying, “Open, Mother, open! I have brought you the three mortal
children whom you sent me to get!”
“You have been a long time on your journey,” said a voice within.
“Enter, all!” and the door opened.
Public-domain text, read in full here on John Shaqi.
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