Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
Greenwich Village, when in funds, dines, lunches, breakfasts at the
Parisian. Upper West Side, when seeking the quaintly foreign dissociated
from squalor, dines there. Upper West Side always goes up the wide front
steps and through the busy little office into the airy eating rooms with
full length hinged windows. There is music here; a switchboard youth
who giftedly blends slang with argot; even, it has been reported, an
interior fountain. Greenwich Village now and again ascends those wide
front steps; but more often frequents the basement where is neither
fountain nor music, merely chairs, tables and ineffable food; these
latter in three or four small rooms which you may enter from the Avenue,
directly under the steps, or from the side street through the bar. The
corner room, nearest the bar, is a haunt of such newspaper men as
live in the neighborhood. Also in the basement is a rather obscure and
crooked passage extending from the bar past the small rooms and the
barber shop of Marius to the equally obscure and crooked stairway that
leads by way of telephone booths and a passage to the little office
hallway and the upper restaurant. The whole, apparently, was arranged
with the mechanics of French farce uppermost in the mind of the
architect.
Peter's large horn-rimmed eye-glasses hung by their heavy black ribbon
from the frame of the mirror; his long person lay, relaxed, in the
chair. His right foot rested on a bent-wire stand; and kneeling
respectfully before it, polishing the shoe, was the boy called
Theophile. His left hand lay on the soft palm of Miss Maria Tonifetti
who was working soothingly, head bowed, on the thumb nail. Miss
Tonifetti was pretty. She happens to be the reason why Peter had kept
away from the shop of Marius all spring. These Italian girls, from below
Washington Square, were known to be of an impetuous temper. Hy Lowe had
on several occasions advised Peter to let them alone. Hy believed
that they, carried knives. Now, however, finding Maria so subdued, if
gloomily emotional, of eye, experiencing again the old soft thrill as
her deft smooth fingers touched and pressed his own, he was seriously
considering asking her out to dinner. He had first thought of this while
Marius (himself) was plying the razor. (What a hand had Marius!) The
notion grew during the drowsily comfortable shampoo that came next. With
the face massage, and the steaming towels that followed it--one of these
now covered his face, with a minute breathing hole above the nose--came
a gentle glow of tenderness toward all the world and particularly toward
Miss Tonifetti. After all, he had never intended neglecting her. Life is
so complex!
I had hoped to slip through this narrative with no more than an
occasional and casual allusion to Maria. But this, it appears, is not
possible. She matters. And even at the risk of a descent into unromantic
actuality, into what you might call “realism,” she enters at this point.
Public-domain text, read in full here on John Shaqi.
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