Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
Peter thought this over. The check glowed next to his heart. It thrilled
him. “You tell your friend Sue Wilde,” he replied then, with dignity,
“that my message to her--and to you--will be delivered next September
across the footlights of the Astoria Theater.” And he strode into the
bedroom.
The Worm looked after him with quizzical eyes, smiled a little and
resumed his book.
CHAPTER VI--THE WORM POURS OIL ON A FIRE
|PETER came stealthily into the rooms on the seventh floor of the old
bachelor apartment building in Washington Square. His right hand, deep
in a pocket of his spring overcoat, clutched a thin, very new book bound
in pasteboard. It was late on a Friday afternoon, near the lamb-like
close of March.
The rooms were empty. Which fact brought relief to Peter.
He crossed the studio to the decrepit flat-top desk between the two
windows. With an expression of gravity, almost of solemnity, on his long
face, lie unlocked the middle drawer on the end next the wail. Within,
on a heap of manuscripts, letters and contracts, lay five other thin
little books in gray, buff and pink. He spread these in a row on the
desk and added the new one. On each was the name of a savings bank,
printed, and his own name, written. They represented savings aggregating
now nearly seven thousand dollars.
[Illustration: 0071]
Seven thousand dollars, for a bachelor of thirty-three may seem enough
to you. It did not seem enough to Peter. In fact he was now studying the
six little books through his big horn-rimmed glasses (not spectacles)
with more than a suggestion of anxiety. Peter was no financier; and the
thought of adventuring his savings on the turbulent uncharted seas of
finance filled his mind with terrors. Savings banks appealed to him
because they were built solidly, of stone, and had immense iron gratings
at windows and doors. And, too, you couldn't draw money without going to
some definite personal trouble.... It is only fair to add that the books
represented all he had or would ever have unless he could get more.
Nobody paid Peter a salary. No banker or attorney had a hand in taxing
his income at the source. _The Truffler_ might succeed and make him
mildly rich. Or it might die in a night, leaving the thousand-dollar
“advance against royalties” as his entire income from more than a year
of work. His last two plays had failed, you know. Plays usually failed.
Eighty or ninety per cent, of them--yes, a good ninety!
Theoretically, the seven thousand dollars should carry him two or
three years. Practically, they might not carry him one. For he couldn't
possibly know in advance what he would do with them. Genius laughs at
savings banks.
Peter sighed, put the six little books away and locked the drawer.
Locked it with sudden swiftness and caution, for Hy Lowe just then burst
in the outer door and dove, humming a one-step, into the bedroom.
Peter, pocketing the keys carefully so that they would not jingle, put
on a casual front and followed him there.
Public-domain text, read in full here on John Shaqi.
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