Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
They had been his secret inner life, the bank books locked away in
the middle drawer of the desk on the side next the wall. Nearly seven
thousand dollars were now entered in those books--Peter's all. He
was staking it on a single throw. He had rushed in where a shrewder
theatrical angel might well have feared to tread. It was the wild
outbreak of a cautious impractical man.
He thought it all over, sitting there on the edge of the bed. It was
terrifying, but stirring. In his plays some one was always saving a girl
through an act of personal sacrifice. Now he was acting it out in life.
Indicating the truth to life of his plays.... He was risking all. But
so had Napoleon, returning from Elba, risked all (he did not pursue the
analogy). So had Henry V at Agincourt. After all, considered in this
light, it was rather fine. Certain persons would admire him if they
knew. It was the way big men did things. He was glad that Sue didn't
know; it was finer to take the plunge without so much as asking a
return. It was magnificent.
The word, popping into his thoughts, gave Peter a thrill. Yes, it was
magnificent. He was doing a magnificent thing. All that remained was to
carry it off magnificently.
He dragged his trunk from the closet. The lower tray and the bottom were
packed with photographs and with letters tied in flat bundles--letters
in various feminine hands. He stirred the bundles about. Some were
old--years old; others less so.
Peter regarded them with the detachment of exaltation. They could not
possibly mean anything to him; his life had begun the day he first saw
Sue Wilde.
He carried them into the studio, great armsful, and piled them about
the hearth. In the bottom drawer of the bureau were other packets of
intimate documents. He brought those as well. Then he set to work to
burn, packet by packet, that curiously remote past life of his. And he
smiled a little at this memory and that.
Closely packed papers do not burn easily. He was seated there on the
floor before the fireplace, stirring up sheets at which the flames had
nibbled, when Jacob Zanin came in.
Zanin stared and laughed.
“Bad as that?” said he.
Peter met this sally with dignified silence. He urged his caller to sit
down.
Zanin dropped his hat on the desk and disposed his big frame in the
Morris chair. His coat was wrinkled, his trousers baggy. Under his coat
was an old gray sweater. The head above the sweater collar was big and
well-poised. The face was hard and strong; the eyes were alight with
restlessness.
“I'm dog tired,” said Zanin. “Been rehearsing six hours straight.” And
he added: “I suppose you haven't had a chance to go over my scenario.”
Public-domain text, read in full here on John Shaqi.
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