Dramatists -- Fiction; Greenwich Village (New York, N.Y.) -- Fiction; Man-woman relationships -- Fiction
The Worm raised an arresting pipe. “Don't,” he said dryly. “Never do
that! Besides, your defense, while fairly plausible, accounts for only
about three months of your life.”
Slightly crestfallen, Hy read on in silence. Then he turned back and
started at the beginning. Finally, looking up and catching the Worm's
interested, critical eyes on him, he stuffed the document back into his
pocket, lit a new cigarette, got up, found his hat and stick, stood a
moment in moody silence, sighed deeply and went out.
The telephone rang. As the Worm drew the instrument toward him and
lifted the receiver the door opened and Hy came charging back.
The voice was feminine. “Is Mr. Lowe there?” it said.
“Gimme that phone!” breathed Hy, reaching for it.
The Worm swung out of his reach. “No,” he said into the transmitter,
“he's gone out. Just a moment ago. Would you like to leave any message?”
And dodging behind the desk, he grinned at Hy.
That young man was speechless.
“Who did you say?” Thus the Worm into the telephone. “Mrs. Bixbee?”
He spoke swiftly to Hy. “It's funny. I've heard the voice. But Mrs.
Bixbee!” Then into the telephone. “Yes, this is Mr. Bates. Oh, you were
Betty Deane? Yes, indeed! Wait a moment. I think he has just come in
again. I'll call him.”
But at that name Hy bolted. The door slammed after him. The Worm could
hear him running along the outer corridor and down the stairs. He had
not stopped to ring for the elevator.
“No,” said the Worm now unblushingly, “I was mistaken. He isn't here.
That was the floor maid.” As he pushed the instrument back on the desk,
he sighed and shook his head. “That's it,” he said aloud, with humility.
“It's a gift.”
CHAPTER XXIII--THE BUZZER
|NEW YORK, as much as Paris or Peking, is the city of bizarre contrasts.
One such is modestly illustrated in the life of Hy Lowe.
Hy hurried on this as on every working morning eastward across Broadway
and through Astor Place to the large five-story structure, a block in
length, near the heart of the Bowery, that had been known for seventy
years as Scripture House. Tract societies clustered within the
brownstone walls, publishers of hymn books and testaments, lecture
bureaus, church extension groups, temperance and anti-cigarette
societies, firms of lady typists, and with these, flocks of
shorter-lived concerns whose literature was pious and whose aims were
profoundly commercial. Long years before, when men wore beavers and
stocks and women wore hoopskirts, the building had symbolized the
organized evangelical forces that were to galvanize and remake a corrupt
world.
Public-domain text, read in full here on John Shaqi.
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