The trumpeter of Krakow : $b A tale of the fifteenth century — John Shaqi
The trumpeter of Krakow : $b A tale of the fifteenth centuryKelly, Eric P. (Eric Philbrook)
History
The trumpeter of Krakow : $b A tale of the fifteenth century
Kelly, Eric P. (Eric Philbrook)
Middle Ages -- Juvenile fiction; Poland -- History -- Casimir IV, 1447-1492 -- Juvenile fiction
At the stalls around the Cloth Hall were all manner of wares which the
sellers were advertising with loud cries. Here was a grain counter with
different colored grains in open sacks. A woman in a blue gown which
hung from a yoke at the shoulder, and with, a piece of cloth of the same
color wound deftly around her head for a hat, was selling a few grains
of corn to a traveling musician. He wore a long yellow garment all of a
piece, including head covering like a cowl, and falling to the knees,
below which the legs and feet were bare. This garment, was caught at the
waist by a bright yellow belt. He carried under one arm a bagpipe with
three protruding tubes, two for music, if it might be called such, and
one for his mouth. In one hand he held a pouch of leather into which the
woman was slipping grains of corn.
The Charnetskis drove by the stalls and shops of the glove makers where
there were women working and buying, all dressed in bright-colored
gowns; past the needle makers in leather aprons who sprawled over
benches; past the sword makers with their neat forges and rows of
shining steel blades; past the tub makers who were assembling wooden
staves into tub bodies; past the smiths in their long black aprons
leading horses into position where they could be shod. Here and there
the red signs of the barber and bloodletter, here and there the huge
flasks of green and blue denoting the stores of the apothecaries. True
Catholics had upon the walls of their shops an ikon or a picture of the
Holy Mother of God from the sacred shrine of Chenstohova; almost every
merchant had some distinctive figure above the door of his shop to
distinguish it from his neighbor’s; for example there was a hatter with
the sign “Under the White Elephant,” and there was a shoemaker who had a
stone head of Kazimir the Great for the satisfaction of himself and his
customers. The numbering of public buildings was not known in that age,
and buildings were distinguished by some such emblem which usually stood
above the outer gate or door.
Everywhere could be heard the cries of vendors shouting or singing their
wares or professions, the flower-girls, the knife sharpener, the baker’s
boy, and the butcher’s apprentice.
“_Co brakuje, co brakuje_,” they all shouted in a chorus. “What do you
lack? What do you lack?”
Occasionally to Joseph’s delight, a monkey could be seen, brought here
by traders from the east or south, one playing around a booth, another
carried, much bedecked with ribbons, in the arms of some merchant’s or
perhaps burgomaster’s lady.
Public-domain text, read in full here on John Shaqi.
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