The trumpeter of Krakow : $b A tale of the fifteenth century — John Shaqi
The trumpeter of Krakow : $b A tale of the fifteenth centuryKelly, Eric P. (Eric Philbrook)
History
The trumpeter of Krakow : $b A tale of the fifteenth century
Kelly, Eric P. (Eric Philbrook)
Middle Ages -- Juvenile fiction; Poland -- History -- Casimir IV, 1447-1492 -- Juvenile fiction
“This,” said the stranger, pointing first to the script containing the
writing, “is a copy of the oath that you have already sworn. This other
is the music of the Heynal, the hymn which you must play from the church
tower every hour of the night. The trumpeter whom you relieve to-night
will give you the key to the tower room, and what information you may
need. It is a noble piece of work, this sounding of the Heynal, and I am
much pleased that Father Jan has been able to find so good a Pole as you
to carry out the night duties. With this he kissed Pan Andrew upon the
right cheek and departed.”
Joseph stared in frank amazement. The Heynal! The church tower. And his
father!
“I will tell you everything,” said the father as they sat down to the
noonday meal. “This oath which I have sworn is the customary oath taken
by the watchman-trumpeter of the tower of the Church of Our Lady Mary.
You may read it at your leisure. The music is the hymn with the broken
note of which I have promised to tell you the story soon. It is played
each hour from the windows in the octagon room at the top of the higher
tower.”
“And you are to be the trumpeter?” asked Joseph.
“I am, thanks to the good Jan Kanty,” the father answered. “The
trumpeter and the watchman as well, for it is from this tower that fires
throughout the city are sighted and the alarm given with the big bell.
For the present it must be for our own safety that we are known as the
Kovalski family, a name which Father Jan has given us. As plain Andrew
Kovalski I shall be a mere city dweller of Krakow. I shall be trumpeter,
succeeding the man—God rest his soul!—who died but a week ago, since
which time there has been a substitute who can play but badly.”
“But the man said each hour of the night,” exclaimed the boy. “Will you
be there all night?”
“Yes,” answered Pan Andrew. “It is for my own safety to be abroad in the
city only after nightfall. None will recognize me then—and as for you,
my son, the good father has arranged that you shall attend the Collegium
Minus here, to complete your studies which I and your tutors have
already begun with you. But there must be caution employed even by you,
for there are people who seek nothing better than to find us and despoil
us of our treasure. You may take your exercises with the other boys very
soon, however, and go abroad with discretion, for in the clothes which I
shall buy you there will be no danger, I think, that you may be
recognized. A close mouth is necessary nevertheless. Tell no one of our
adventures and be content for the time with the plain name Joseph
Kovalski.”
Thus at the direction of the good Jan Kanty, Pan Andrew became Pan
Kovalski—Joseph was to be sent to school—and the watchtower of the
Church of Our Lady Mary was to see a new trumpeter.
Public-domain text, read in full here on John Shaqi.
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