The trumpeter of Krakow : $b A tale of the fifteenth centuryKelly, Eric P. (Eric Philbrook)
History
The trumpeter of Krakow : $b A tale of the fifteenth century
Kelly, Eric P. (Eric Philbrook)
Middle Ages -- Juvenile fiction; Poland -- History -- Casimir IV, 1447-1492 -- Juvenile fiction
Pan Andrew fitted his key to the lock of the door leading into the inner
room and threw back the bolt. Entering after his father, Joseph found
himself in a small, comfortable room, containing a table, a bed, a small
stove, and a lighted lantern hanging on the wall. About the table were
three chairs, wedged rather tightly because of the lack of space, and
upon the table was a huge hourglass, one of the largest that Joseph had
even seen. The sand pouring through it in a fine stream had filled the
lower section almost to a level graded on the glass with a Latin “X” to
designate the tenth hour. The glass was in reality a twelve-hour glass,
and lines and Latin numerals had been marked upon it just after the
maker had blown it into shape, when the material was still soft. This
was the trumpeter’s official clock. There was on the south side of the
nave roof, where the sun touched at all hours of the day, a large
sundial which was read each noon, and on the north wall of the tower was
a clock with one hand. This hand, which indicated the hours, was in
truth a hand—a piece of metal shaped like a doubled fist—with fingers
curled and the index pointing out to the hours.
When the sand had reached the level of the glass at which the “X” was
cut, Pan Andrew hastened out to the open section of the tower and
released a coil of rope that hung on a pillar in the center of the
space. This rope ran down through a hole in the flooring until it
reached the level of the lower tower, when it swung about over a piece
of round wood that served as a pulley and leaped from there to the lower
tower through an aperture that was originally designed as a narrow
window through which to shoot arrows in time of defense. In the lower
tower the rope was connected with one end of an iron hammer that was
suspended above the great bell. When the rope was pulled the hammer
descended, but it sprang quickly back to its original position when the
rope was loosed, a spring of twisted metal and leather serving to draw
it back. Pan Andrew pulled once—the hammer descended—boom—the stroke
of the bell sounded over the whole city. He pulled again and again until
the full quota of ten strokes was made.
Public-domain text, read in full here on John Shaqi.
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