The trumpeter of Krakow : $b A tale of the fifteenth centuryKelly, Eric P. (Eric Philbrook)
History
The trumpeter of Krakow : $b A tale of the fifteenth century
Kelly, Eric P. (Eric Philbrook)
Middle Ages -- Juvenile fiction; Poland -- History -- Casimir IV, 1447-1492 -- Juvenile fiction
A Tartar below crouched to his bow and drew back the arrow as far as he
could draw. The string whirred. The dark shaft flew like a swift bird
straight for the mark. It pierced the breast of the young trumpeter when
he was near the end of his song—it quivered there a moment and the song
ceased. But still holding to the trumpet the youth fell back against the
supporting wall and blew one last glorious note; it began strongly,
trembled, and then ceased—broken like the young life that gave it
birth, and at that moment those below applied the torch to the wooden
church and it, too, rose in flames to Heaven, with the soul of the youth
among them.
CHAPTER I
THE MAN WHO WOULDN’T SELL HIS PUMPKIN
It was in late July of the year 1461 that the sun rose one morning red
and fiery as if ushering in midsummer’s hottest day. His rays fell upon
the old city of Krakow and the roads leading up to it, along which
rolled and rocked a very caravan of peasants’ wagons. They were drawn
mostly by single horses hitched into place by the side of a rough pole
that served for shaft; for wheels there were stout pieces of board
nailed tightly together and cut round about, baked with fire at the rim
to harden them; for body they had but rude cross boards as a floor, with
sides and ends of plaited willow reeds, so that the wagons had the
appearance of large baskets traveling on wheels. As they moved along a
road often rough from holes and stones, out through fields sometimes,
and even across streams, the wagons pitched about like little boats on a
wind-swept sea.
In many cases the drivers were walking alongside the carts, flicking
their long whips now and then above the horses’ backs to give the
animals a little encouragement, while upon the seats sat the patient
figures of women and children.
In the wagons was all manner of merchandise—vegetables, flowers, ducks,
hens and geese, pigs, butter and milk. Here a driver was conveying a
load of skins, here one had nothing but black earth for enriching city
gardens. Another, driving a load of poultry, wore around his neck, like
beads, garland after garland of dried mushrooms strung upon strings. At
the back of the picture rose the foothills of the Carpathians, misty and
golden in the early sun, and at a distance the Vistula River curved like
a silver bracelet about the Wawel Hill. All about was the early-morning
smell of wet grass and fresh earth and growing things.
Public-domain text, read in full here on John Shaqi.
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