That was the time when she had come down for Hallowe'en, and it was on
Sunday evening that they had talked it over in the Bird Room at
Huntersfield. There had been a smouldering fire on the wide hearth,
and the Trumpeter Swan had stared down at them with shining eyes. They
had been to church that morning and the text had been, "The harvest is
past, the summer is ended, and we are not saved."
"I want to make the world better, Becky,"
Randy had said in the still twilight, and Becky had answered in an awed
tone, "It would be so splendid to see you in the pulpit, Randy, wearing
a gown like Dr. Hodge."
But the pulpit to Randy had meant more than that. And the next day
when they walked through the deserted mill town, he had said,
"Everybody is dead who lived here, and once they were alive like us."
She had shivered, "I don't like to think of it."
"It's a thing we've all got to think of. I like to remember that
Thomas Jefferson came riding through and stopped at the mill and talked
to the miller."
"How dreadful to know that they are--dead."
"Mother says that men like Jefferson never die. Their souls go
marching on."
The stream which ground the county's corn was at their feet. "But what
about the miller?" Becky had asked; "does his soul march, too?"
Randy, with the burden of yesterday's sermon upon him, hoped that the
miller was saved.
He smiled now as he thought of the rigidness of his boyish theology.
To him in those days Heaven was Heaven and Hell was Hell.
The years at school had brought doubt--apostasy. Then on the fields of
France, Randy's God had come back to him--the Christ who bound up
wounds, who gave a cup of cold water, who fought with flaming sword
against the battalions of brutality, who led up and up that white
company who gave their lives for a glorious Cause. Here, indeed, was a
God of righteousness and of justice, of tenderness and purity. To
other men than Randy, Christ had in a very personal and specific sense
been born across the sea.
It was in France, too, that the dream had come to him of a future of
creative purpose. He had always wanted to write. Looking back over
his University days, he was aware of a formative process which had led
towards this end. It was there he had communed with the spirit of a
tragic muse. There had been all the traditions of Poe and his
tempestuous youth--and Randy, passing the door which had once opened
and closed on that dark figure, had felt the thrill of a living
personality--of one who spoke still in lines of ineffable
beauty--"_Banners yellow, glorious, golden. On its roof did float and
flow----_" and again "_A dirge for her the doubly dead, in that she
died so young----_" with the gayety and gloom and grandeur of those
chiming, rhyming, tolling bells--"_Keeping time, time, time, In a sort
of Runic rhyme----_" and that "_grim and ancient Raven wandering from
the Nightly shore----_"
Public-domain text, read in full here on John Shaqi.
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