Authors, English -- 20th century -- Biography; Bennett, Arnold, 1867-1931
I did not. On the contrary, his curt speech made a profound impression
on me. He was thirty, and a man of the world; I was scarcely
twenty-three. My self-esteem, always vigorous, was flattered into all
sorts of new developments. I gradually perceived that, quite without
intending it, I had acquired a reputation. As what? Well, as a learned
youth not lacking in brilliance. And this reputation had, I am
convinced, sprung solely from the habit of buying books printed mainly
in languages which neither myself nor my acquaintances could read. I
owned hundreds of books, but I seldom read any of them, except the
bibliographical manuals; I had no leisure to read. I scanned. I can only
remember, in this period, that I really studied one book--Plato's
"Republic," which I read because I thought I was doing the correct
thing. Beyond this, and a working knowledge of French, and an entirely
sterile apparatus of bibliographical technique, I had mastered nothing.
Three qualities I did possess, and on these three qualities I have
traded ever since. First, an omnivorous and tenacious memory (now, alas,
effete!)--the kind of memory that remembers how much London spends per
day in cab fares just as easily as the order of Shakespeare's plays or
the stock anecdotes of Shelley and Byron. Second, a naturally sound
taste in literature. And third, the invaluable, despicable, disingenuous
journalistic faculty of seeming to know much more than one does know.
None knew better than I that, in any exact, scholarly sense, I knew
nothing of literature. Nevertheless, I should have been singularly blind
not to see that I knew far more about literature than nine-tenths of the
people around me. These people pronounced me an authority, and I
speedily accepted myself as an authority: were not my shelves a silent
demonstration? By insensible degrees I began to assume the pose of an
authority. I have carried that pose into newspaper offices and the very
arcana of literary culture, and never yet met with a disaster. Yet in
the whole of my life I have not devoted one day to the systematic study
of literature. In truth, it is absurdly easy to impress even persons who
in the customary meaning of the term have the right to call themselves
well-educated. I remember feeling very shy one night in a drawing-room
rather new to me. My host had just returned from Venice, and was
describing the palace where Browning lived; but he could not remember
the name of it.
"Rezzonico," I said at once, and I chanced to intercept the look of
astonishment that passed between host and hostess.
I frequented that drawing-room a great deal afterwards, and was always
expected to speak _ex cathedra_ on English literature.
Public-domain text, read in full here on John Shaqi.
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