Authors, English -- 20th century -- Biography; Bennett, Arnold, 1867-1931
"Don't you think our frieze is charming?" the artist said, his eyes
glistening.
It was the man's obvious sincerity that astounded me. O muse of mahogany
and green rep! Here was a creature who took a serious interest in the
pattern of his wall-papers! I expressed my enthusiasm for the frieze.
"Yes," he replied, with simple solemnity, "_it is very beautiful_."
This worship of beauty was continuous. The very teaspoons were banned or
blessed on their curves, and as for my rare editions, they wilted under
tests to which they were wholly unaccustomed. I possessed a _rarissime_
illustrated copy of Manon Lescaut, of which I was very proud, and I
showed it with pride to the artist. He remarked that it was one of the
ugliest books he had ever seen.
"But," I cried, "you've no idea how scarce it is! It's worth--"
He laughed.
I perceived that I must begin life again, and I began it again,
sustained in my first efforts by the all-pervading atmosphere of ardour.
My new intimates were not only keenly appreciative of beauty, they were
bent on creating it. They dreamed of great art-works, lovely
compositions, impassioned song. Music and painting they were familiar
with, and from me they were serenely sure of literature. The glorious
accent with which they clothed that word--literature! Aware beforehand
of my authority, my enthusiasm, they accepted me with quick, warm
sympathy as a fellow-idealist. Then they desired to know what I was
engaged upon, what my aims were, and other facts exceedingly difficult
to furnish.
It happened that the most popular of all popular weeklies had recently
given a prize of a thousand pounds for a sensational serial. When the
serial had run its course, the editor offered another prize of twenty
guineas for the best humorous condensation of it in two thousand words.
I thought I might try for that, but I feared that my friends would not
consider it "art." I was mistaken. They pointed out that caricature was
a perfectly legitimate form of art, often leading to much original
beauty, and they urged me to enter the lists. They read the novel in
order the better to enjoy the caricature of it, and when, after six,
evenings' labour, my work was done, they fiercely exulted in it. Out of
the fulness of technical ignorance they predicted with certainty that I
should win the prize.
Here again life plagiarized the sentimental novel, for I did win the
guineas. My friends were delighted, but they declined to admit a
particle of surprise. Their belief in what I could do kept me awake at
nights.
This was my first pen-money, earned within two months of my change of
air. I felt that the omen was favourable.
V
Public-domain text, read in full here on John Shaqi.
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