Authors, English -- 20th century -- Biography; Bennett, Arnold, 1867-1931
The sensational serial ran in "The Academy" for about three months, but
I had written it all in the spare hours of a very much shorter period
than that. It was issued anonymously, partly from discretion, and partly
in the hope that the London world of letters would indulge in conjecture
as to its authorship, which in theory was to be kept a dark secret. The
London world of letters, however, did nothing of the kind. Everybody who
had any interest in such a matter seemed to know at once the name of the
author. Mr. Andrew Chatto, whose acquaintance I made just then, assured
me that he was certain of the authorship of the first article, on
stylistic evidence; and I found him tearing out the pages of the
"Academy" and keeping them. I found also a number of other people doing
the same. In fact I do not exaggerate in saying that the success of the
serial was terrific--among about a hundred people. It happened to me to
see quite sane and sober writing persons gurgle with joy over the mere
recollection of sundry scenes in my autobiography. But Mr. Andrew
Chatto, an expert of immense experience, gave me his opinion, with
perhaps even more than his customary blandness, that the public would
have no use for my autobiography. I could scarcely adopt his view. It
seemed to me impossible that so honest a disclosure, which had caused
such unholy joy in some of the most weary hearts that London contains,
should pass unheeded by a more general public.
Mr. Andrew Chatto did not publish this particular book of mine. I cannot
remember if it was offered to him. But I know that it was offered to
sundry other publishers before at last it found a sponsor. There was no
wild competition for it, and there was no excitement in the press when
it appeared. On the other hand, there was a great deal of excitement
among my friends. The book divided my friends into two camps. A few were
extraordinarily enthusiastic and delighted. But the majority were
shocked. Some--and among these the most intimate and beloved--were so
shocked that they could not bear to speak to me about the book, and to
this day have never mentioned it to me. Frankly, I was startled. I
suppose the book was too true. Many fine souls can only take the truth
in very small doses, when it is the truth about some one or something
they love. One of my friends--nevertheless a realistic novelist of high
rank--declined to credit that I had been painting myself; he insisted on
treating the central character as fictional, while admitting the events
described were factual.
Public-domain text, read in full here on John Shaqi.
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