Authors, English -- 20th century -- Biography; Bennett, Arnold, 1867-1931
The popular paper that had paid me twenty guineas for being facetious
expressed a polite willingness to consider my articles, and I began to
turn the life of a law-office into literature; my provincial experience
had taught me the trick. Here was I engaged all day in drawing up bills
of costs that would impose on a taxing-master to the very last
three-and-fourpence; and there was the public in whose chaotic mind a
lawyer's bill existed as a sort of legend, hieroglyphic and
undecipherable. What more natural than a brief article--"How a bill of
costs is drawn up," a trifling essay of three hundred words over which I
laboured for a couple of evenings? It was accepted, printed, and with a
postal order for ten shillings on the ensuing Thursday I saw the world
opening before me like a flower. The pathos of my sanguine ignorance! I
followed up this startling success with a careful imitation of it--"How
a case is prepared for trial," and that too brought its ten shillings.
But the vein suddenly ceased. My fledgling fancy could do no more with
law, and I cast about in futile blindness for other subjects. I grew
conscious for the first time of my lack of technical skill. My facility
seemed to leave me, and my self-confidence. Every night I laboured dully
and obstinately, excogitating, inventing, grinding out, bent always to
the squalid and bizarre tastes of the million, and ever striving after
"catchiness" and "actuality." My soul, in the arrogance of a certain
achievement, glances back furtively, with loathing, at that period of
emotional and intellectual dishonour. The one bright aspect of it is
that I wrote everything with a nice regard for English; I would lavish a
night on a few paragraphs; and years of this penal servitude left me
with a dexterity in the handling of sentences that still surprises the
possessor of it. I have heard of Fleet Street hacks who regularly
produce sixty thousand words a week; but I well know that there are not
many men who can come fresh to a pile of new books, tear the entrails
out of them, and write a fifteen-hundred-word _causerie_ on them,
passably stylistic, all inside sixty minutes. This means skill, and I am
proud of it. But my confessions as a reviewer will come later.
Public-domain text, read in full here on John Shaqi.
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