Authors, English -- 20th century -- Biography; Bennett, Arnold, 1867-1931
"I am going on to the staff of a paper." Perhaps I have never felt
prouder than when I uttered those words. My pride must have been
disgusting. This was the last time I ever said "sir" to any man under
the rank of a knight. The defection of a reliable clerk who combined
cunning in the preparation of costs with a hundred and thirty words a
minute at shorthand was decidedly a blow to my excellent; employer; good
costs clerks are rarer than true poets; but he suffered it with
impassive stoicism; I liked him for that.
On a New Year's Day I strolled along Piccadilly to the first day's work
on my paper. "My paper"--O the joyful sound! But the boats were burnt
up; their ashes were even cool; and my mind, in the midst of all this
bliss, was vexed by grave apprehensions. Suppose the paper to expire, as
papers often did! I knew that the existence of this particular paper was
precarious; its foundations were not fixed in the dark backward and
abysm of time--it was two years old. Nevertheless, and indisputably and
solely, I was at last a journalist, and entitled so to describe myself
in parish registers, county court summonses, jury papers, and income-tax
returns. In six months I might be a tramp sleeping in Trafalgar Square,
but on that gorgeous day I was a journalist; nay, I was second in
command over a cohort of women whose cleverness, I trusted, would be
surpassed only by their charm.
The office was in the West End--index of smartness; one arrived at ten
thirty or so, and ascended to the suite in a lift. One smoked cigars and
cigarettes incessantly. There was no discipline, and no need of
discipline, since the indoor staff consisted only of the editor, myself,
and the editor's lady-secretary. The contrast between this and the exact
ritual of a solicitor's office was marked and delightful. In an
adjoining suite on the same floor an eminent actress resided, and an
eminent actor strolled in to us, grandiosely, during the morning,
accepted a cigar and offered a cigarette (according to his frugal
custom), chatted grandiosely, and grandiosely departed. Parcels were
constantly arriving--books, proofs, process-blocks, samples of soap and
of corsets: this continuous procession of parcels impressed me as much
as anything. From time to time well-dressed and alert women called, to
correct proofs, to submit drawings, or to scatter excuses. This was
"Evadne," who wrote about the toilet; that was "Angélique," who did the
cookery; the other was "Enid," the well-known fashion artist. In each
case I was of course introduced as the new assistant-editor; they were
adorable, without exception. At one o'clock, having apparently done
little but talk and smoke, we went out, the Editor and I, to lunch at
the Cri.
"This," I said to myself quite privately, "this may be a novel by
Balzac, but it is not my notion of journalism."
Public-domain text, read in full here on John Shaqi.
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