The Truth About Tristrem Varick: A NovelSaltus, Edgar
General
The Truth About Tristrem Varick: A Novel
Saltus, Edgar
Fiction
They had been standing, but now they found seats near to each other.
Tristrem would not release her hand, and she let it lie unrebellious in
his own. And in this fashion they sat and mapped the chartless future.
Had Tristrem been allowed his way the marriage would have been an
immediate one. But to this, of course, Miss Raritan would not listen.
"Not before November," she said, with becoming decision.
"Why, that is five months off!"
"And months are short, and then----"
"But, Viola, think! Five months! It is a kalpa of time. And besides," he
added, with the cogent egotism of an accepted lover, "what shall I do
with myself in the meantime?"
"If you are good you may come to the Pier, and there we will talk
edelweiss and myosotis, as all engaged people do." She said this so
prettily that the sarcasm, if sarcasm there were, was lost.
To this programme Tristrem was obliged to subscribe.
"Well, then, afterward we will go abroad."
"Don't you like this country?" the girl asked, all the stars and stripes
fluttering in her voice, and in a tone which one might use in reciting,
"Breathes there the man, with soul so dead?"
"I think," he answered, apologetically, "that I do like this country. It
is a great country. But New York is not a great city, at least not to my
thinking. Collectively it is great, I admit, but individually not, and
that is to me the precise difference between it and Paris. Collectively
the French amount to little, individually it is otherwise."
"But you told me once that Paris was tiresome."
"I was not there with you. And should it become so when we are there
together, we have the whole world to choose from. In Germany we can have
the middle ages over again. In London we can get the flush of the
nineteenth century. There is all of Italy, from the lakes to Naples. We
can take a doge's palace in Venice, or a Cæsar's villa on the Baia. With
a dahabieh we could float down into the dawn of history. You would look
well in a dahabieh, Viola."
"As Aida?"
"Better. And that reminds me, Viola; tell me, you will give up all
thought of the stage, will you not?"
"How foolish you are. Fancy Mrs. Tristrem Varick before the footlights.
There are careers open to a girl that the acceptance of another's name
must close. And the stage is one of them. I should have adopted it long
ago, had it not been for mother. She seems to think that a Raritan--but
there, you know what mothers are. Now, of course, I shall give it up.
Besides, Italian opera is out of fashion. And even if it were otherwise,
have I not now a lord, a master, whom I must obey?"
Her eyes looked anything but obedience, yet her voice was melodious with
caresses.
Public-domain text, read in full here on John Shaqi.
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