The Truth About Tristrem Varick: A Novel — John Shaqi
The Truth About Tristrem Varick: A NovelSaltus, Edgar
General
The Truth About Tristrem Varick: A Novel
Saltus, Edgar
Fiction
For some time he was absurdly happy. His grandfather received the
announcement of the coming marriage with proper enthusiasm. He laughed
sagaciously at Tristrem's glowing descriptions of the bride that was to
be, and was for going to call on the mother and daughter at once, and
was only prevented on learning that they had both left town.
"But I must write," he said, and write he did, two elaborate letters,
couched in that phraseology at once recondite and simple which made our
ancestors the delightful correspondents that they were. The letters were
old-fashioned indeed. Some of the sentences were enlivened with the
eccentricities of orthography which were in vogue in the days of the
_Spectator_. The handwriting was infamous, and the signature on each was
adorned with an enormous flourish. They were not models for a Perfect
Letter Writer, but they were heartfelt and honest, and they served their
purpose very well.
"And, Tristrem," the old gentleman said, when the addresses had been
dried with a shower of sand and the letters despatched, "you must take
her this, with my love. I gave it to your mother on her wedding day, and
now it should go to her." From a little red case he took a diamond
brooch, set in silver, which he polished reflectively on his sleeve.
"She was very sweet, Tristrem, your mother was--a good girl, and a
pretty one. Did I ever tell you about the time----"
And the old gentleman ran on with some anecdote of the dear dead days in
which his heart was tombed. Tristrem listened with the interest of those
that love. He had heard the story, and many others of a similar tenor,
again and again, but, somehow, he never heard them too often. There was
nothing wearisome to him in such chronicles; and as he sat listening,
and now and then prompting with some forgotten detail, anyone who had
happened on the scene would have accounted it pleasant to watch the
young fellow and the old man talking together over the youth of her who
had been mother to one and daughter to the other.
"See!" said Tristrem at last, when his grandfather had given the brooch
into his keeping. "See! I have something for her too." And with that he
displayed a ruby, unset, that was like a clot of blood. "I shall have it
put in a ring," he explained, "but this might do for a bonnet-pin;" and
then he produced a green stone, white-filmed, that had a heart of
oscillating flame.
Mr. Van Norden had taken the ruby in his hand and held it off at arm's
length, and then between two fingers, to the light, that he might the
better judge of its beauty. But at the mention of the bonnet-pin he
turned to look:
"Surely, Tristrem, you would not give her that; it's an opal."
"And what if it is?"
"But it is not lucky."
Tristrem smiled blithely, with the bravery that comes of
nineteenth-century culture.
"It's a pearl with a soul," he answered, "that's what it is. And if
Viola doesn't like it I'll send it to you."
Public-domain text, read in full here on John Shaqi.
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