The Trysting Place: A Farce in One Act — John Shaqi
The Trysting Place: A Farce in One ActTarkington, Booth
General
The Trysting Place: A Farce in One Act
Tarkington, Booth
American drama -- 20th century; Farces; Hotels -- Drama; Man-woman relationships -- Drama
_Dance music is heard from a distant orchestra. Just after the rise
of the curtain two people come in together from the left--a young
woman of twenty-five, or perhaps she is even a little older, and
a slim boy obviously under twenty. She is rather elaborate in her
afternoon indoor dress, but none the less effectively pretty; he is
of a scrubbed and sleeked youthfulness, in white trousers, a short
black coat and dancing shoes; and from the moment of his first
appearance he is seen to be in an extremity of love. He leans as
near the young woman as he can; his eyes search her face yearningly
and without intermission; he caroms into her slightly as they come
in, and repeats the carom unwittingly. They have evidently just
come from the dancing floor and are a little flushed; she fans
herself with her handkerchief and he fans her with his. They are
heard talking before they enter: “Oh, let’s do find some place to
sit down!” she is saying; and he, simultaneously: “Oh, wasn’t that
divine! You dance just simply divinely!” These speeches “bring them
on.”_
THE YOUNG WOMAN
Here’s a place we can sit down! (_She immediately drops into a
chair._)
THE BOY
Yes, this is a lovely place, where nobody is at all. It’s the only
quiet place in the hotel: you never see more than two people here at
a time, because it’s kind of off, like this. That’s why I wanted to
walk this way. (_Sitting on a lounge and leaning toward her._) Isn’t
it divine to be in a place where nobody is at _all_?
THE YOUNG WOMAN (_still fanning herself_)
Why, you and I are here.
THE BOY
Yes; but I mean nobody else at all. We’re practically all alone,
practically.
THE YOUNG WOMAN (_laughing as she waves her hand to indicate the
spacious corridors to the right and left_)
Alone? Why, there are at least three hundred people in this hotel.
THE BOY
Yes, but they’re all either outdoors, or dancin’, or havin’
tea, right now. It’s practically the same as being alone. It
is--practically, I mean.
THE YOUNG WOMAN
Yes, I’ve noticed that it was a rather secluded spot myself. (_She
glances about the room thoughtfully, then turns to him, smiling._)
Don’t you want to run and dance with some of those pretty young girls
your own age?
THE BOY (_with pained earnestness_)
Them? My goodness, no!
THE YOUNG WOMAN
Oh, but that isn’t normal, is it?
THE BOY
I’m not normal. I don’t want to be normal.
THE YOUNG WOMAN
Well, but it would only be natural for you to like those pretty young
things, so-- Well, _do_ run and dance with one of ’em. Won’t you,
please?
THE BOY (_interrupting_)
No. They haven’t got any experience of life. What I like is a woman
that’s had some experience of life, like you.
THE YOUNG WOMAN
But at your age--
THE BOY
Age hasn’t got anything to do with it. The thing that brings a man
and a woman together, it’s when they have about the same amount of
experience of life.
Public-domain text, read in full here on John Shaqi.
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