The Trysting Place: A Farce in One ActTarkington, Booth
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The Trysting Place: A Farce in One Act
Tarkington, Booth
American drama -- 20th century; Farces; Hotels -- Drama; Man-woman relationships -- Drama
(_The settee slowly moves nearer them as their voices become more
indistinct._)
RUPERT
I want to ask you--
JESSIE
Yes?
RUPERT (_with hushed tenderness_)
Do you _really_ love me, dearest?
JESSIE (_gazing upward, tranced_)
Oh, dearest, I do!
(_The settee goes back to where it came from._)
RUPERT
But you don’t think your mother’ll ever change her mind about me?
JESSIE
She never does change her mind.
RUPERT
Then what can we do?
JESSIE (_in a low voice_)
Darling, there’s something I wouldn’t say for anything in the world
to anybody but you.
(_The settee again approaches slightly._)
RUPERT
Yes?
JESSIE
I think Mamma really knows you’re not mercenary, but the _real_
reason for her opposition to you is pretty selfish. I think it’s
because she doesn’t want me to marry and go away and leave her alone
in the world.
RUPERT
But she wouldn’t be. She’d still have the companionship of your young
brother.
JESSIE (_shaking her head_)
That’d be the same as none. Lancelot seems to have scarcely _any_
sense, you see.
(_The settee once more retires._)
RUPERT
Then I don’t see what possible hope--
JESSIE (_warning him as she sees someone approaching in the corridor
to the right_)
Sh-h-h!
RUPERT (_following her gaze_)
Who _is_ that old chap?
JESSIE
It’s old Mr. Ingoldsby. He’s some old friend of mamma’s that happened
to turn up here.
RUPERT (_moving as if to withdraw_)
I’d better--
JESSIE (_quickly_)
No; he doesn’t know you. Sit still. (_She turns toward Mr. Ingoldsby
with a smile as he enters._) Good afternoon, Mr. Ingoldsby. Did you
do it in eighty-five again today?
(_Ingoldsby is a man of fifty-five or, possibly, sixty. He wears neat
knickerbockers and is otherwise sprightly in his outdoor attire. He
smiles rather absently as he replies._)
INGOLDSBY
Eighty-five? No, I--ah--no. I didn’t go round today. Ah--has Mrs.
Briggs been here?
JESSIE
Here?
INGOLDSBY
Yes, I mean--ah--here.
JESSIE
I think she’s somewhere looking for Lancelot.
INGOLDSBY
Yes? Ah--I--
JESSIE
Is there something you’d like me to tell her when I see her?
INGOLDSBY (_going toward the left entrance_)
No; I--I-- (_He glances at his watch, and looks absently at Jessie._)
No, I believe I-ah-- (_He departs._)
RUPERT
Well, I _do_ hope nobody else’ll come poking about like that, because
I--
JESSIE
No, darling; we’re alone again now.
RUPERT
Darling--
JESSIE
Yes, darling?
RUPERT
We’ve had such difficulties in managing our little interviews; it
does seem a precious thing to be near you again.
JESSIE
Oh, it does!
RUPERT
If we could only go away together, where it could _always_ be like
this--
JESSIE (_dreamily_)
Yes, with the world shut out.
RUPERT
Why can’t we--
JESSIE
Hush, darling.
(_She sees someone approaching in the corridor on the left. He looks
dolefully in that direction._)
JESSIE
It’s that dreadful woman.
Public-domain text, read in full here on John Shaqi.
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