Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
Gusta had now reached the poorer quarter of the town, which was not far
from Claybourne Avenue, though hidden from it. The houses were huddled
closely together, and their little window-panes were frosty against the
light that shone through the holes in their shades. There were many
saloons, as many as three on a corner; the ice was frozen about their
entrances, but she could see the light behind the screens. They seemed
to be warm--the only places in that neighborhood that were warm. She
passed one of them just as the latch clicked and the door opened, and
three young men came out, laughing loud, rough, brutal laughs. Gusta
shrank to the edge of the sidewalk; when she got into the black shadow
of the low frame building, she ran, and as she ran she could hear the
young men laughing loudly behind her. She plunged on into the shadows
that lay so thick and black ahead.
But as she drew near her home, all of Gusta’s other thoughts were
swallowed up in the thought of her father. She forgot how cold she was;
her fingers were numb, but they no longer ached; a kind of physical
insensibility stole through her, but she was more than ever alive
mentally to the anguish that was on her. She thought of her father, and
she remembered a thousand little things about him,--all his ways, all
his sayings, little incidents of her childhood; and the tears blinded
her, because now he probably would never speak to her again, never open
his eyes to look on her again. She pictured him lying on his bed,
broken and maimed, probably covered with blood, gasping his few last
breaths. She broke into a little run, the clumsy trot of a woman, her
skirts beating heavily and with dull noises against her legs, her shoes
crunching, crunching, on the frozen snow. At last she turned another
corner, and entered a street that was even narrower and darker than the
others. Its surface, though hidden by the snow, was billowy where the
ash piles lay; there was no light, but the snow seemed to give a gray
effect to the darkness. This was Bolt Street, in which Gusta’s family,
the Koerners, lived.
The thin crackled shade was down at the front window, but the light
shone behind it. Gusta pushed open the front door and rushed in. She
took in the front room at a glance, seeking the evidence of change; but
all was unchanged, familiar--the strips of rag carpet on the floor, the
cheap oak furniture upholstered in green and red plush, the rough,
coarse-grained surface of the wood varnished highly; the photograph of
herself in the white dress and veil she had worn to her first communion,
the picture of Archie sent from the Presidio, the colored prints of
Bismarck and the battle of Sedan--all were there. The room was just as
it had always been, clean, orderly, unused--save that some trinkets
Archie had brought from Manila were on the center-table beside the lamp,
which, with its round globe painted with brown flowers, gave the room
its light.
Public-domain text, read in full here on John Shaqi.
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