Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
But the few hours she spent each day in the empty house were happy hours
for Gusta Koerner. She was not, of course, a girl in whom feeling could
become thought, or sensation find the relief of expression; she belonged
to the class that because it is dumb seems not to suffer, but she had a
sense of change in the atmosphere. She missed Elizabeth, she missed the
others, she missed the familiar figures that once had made the place all
it had been to her. But she loved it, nevertheless, and if it seemed to
hold no new experiences for her, there were old experiences to be lived
over again.
At first the loneliness and the emptiness frightened her, but she grew
accustomed; she no longer started at the mysterious creakings and
tappings in the untenanted rooms, and each morning, after her work was
done, she lingered, and wandered idly about, looked at herself in the
mirrors, gazed out of the windows into Claybourne Avenue, sometimes
peeped into the books she could so little understand.
Occasionally she would have chats with Barker, but she did not often see
him; he was always busy in the stables. Ward and Dick were gone before
she got there. But the peace and quiet of the deserted mansion were
grateful, and Gusta found there a sense of rest and escape that for a
long time she had not known. She found this sense of escape all the more
grateful after Archie’s trouble. He had not been at home in a long
time, and they had heard nothing of him; then, one evening she learned
of his latest trouble in those avid chroniclers of trouble, the
newspapers. Her father, who would not permit the mention of his son’s
name, nevertheless plainly had him on his mind, for he grew more than
ever gloomy, morose and irritable. And then, to make matters worse, one
Saturday evening Charlie Peltzer threw it up to Gusta, and they parted
in anger. On Sunday afternoon she went to see Archie at the jail, and
stayed so late that it was twilight before she got to the Wards’. She
had never had the blues so badly before; her quarrel with Peltzer, her
father’s scolding, her mother’s sighs and furtive tears, her own visit
to the prison, all combined to depress her, and now, in the late and
lonesome Sunday afternoon she did her work hurriedly, and was just about
to let herself out of the door when it opened suddenly, and Dick Ward,
bolting in, ran directly against her.
"Hello! Beg pardon--is that you, ’Gusta?" he said.
"Oh!" she exclaimed, leaning against the wall, "you scared me!"
Dick laughed.
"Well, that’s too bad; I had no idea," he said.
She had raised her clasped hands to her chin, and still kept the
shrinking attitude of her fright. Dick looked at her, prettier than
ever in her sudden alarm, and on an impulse he seized her hands.
"Don’t be scared," he said. "I wouldn’t frighten you for the world."
She was overwhelmed with weakness and confusion. She shrank against the
wall and turned her head aside; her heart was beating rapidly.
Public-domain text, read in full here on John Shaqi.
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