Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
"I--I’m late to-day," she said. "I ought to have been here this
morning."
"I’m glad you weren’t," said Dick, looking at her with glowing eyes.
"I must hurry"---she tried to slip away. "I--must be going home, it’s
getting late; you--you must let me go."
She scarcely knew what she was saying; she spoke with averted face, her
cheeks hot and flaming. He gazed at her steadily a moment; then he
said:
"Never mind. I’ll take you home in my machine. May I?"
She looked at him in wonderment. What did he mean? Was he in earnest?
"May I?" he pressed her hands for emphasis, and gazed into her eyes
irresistibly.
"Yes," she said, "if you’ll--let me--go now."
Suddenly he kissed her on the lips; there was a rustle, a struggle, he
kissed her again, then released her, left her trembling there in the
hall, and bounded up the stairs.
"Wait a minute!" he called. "I came home to get something. You’ll
wait?"
Gusta was dazed, her mind was in a whirl, she felt utterly powerless;
but instinctively she slipped through the door and out on to the
veranda. The air reassured and restored her. She felt that she should
run away, and yet, there was Dick’s automobile in the driveway; she had
never been in an automobile, and-- She thought of Charlie
Peltzer--well, it would serve him right. And then, before she could
decide, Dick was beside her.
"Jump in," he said, glancing up and down the avenue, now dusky in the
twilight. They went swiftly away in the automobile, but they did not go
straight to Bolt Street--they took a long, roundabout course that ended,
after all, too suddenly. The night was warm and Gusta was lifted above
all her cares; she had a sensation as of flying through the soft air.
Dick stopped the machine half a block from the house, and Gusta got out,
excited from her swift, reckless ride. But, troubled as she was, she
felt that she ought to thank Dick. He only laughed and said:
"We’ll go again for a longer ride. What do you say to to-morrow night?"
She hesitated, tried to decide against him, and before she could decide,
consented.
"Don’t forget," he said, "to-morrow evening." He leaned over and
whispered to her. He was shoving a lever forward and the automobile was
starting.
"Don’t forget," he said, and then he was gone and Gusta stood looking at
the vanishing lights of the machine. Just then Charlie Peltzer stepped
out of the shadows.
"So!" he said, looking angrily into her face. "So that’s it, is it?
Oh--I saw you!"
"Go away!" she said.
He snatched at her, caught her by the wrist.
"Go away, is it?" he exclaimed fiercely. "I’ve caught you this time!"
"Let me alone!"
"Yes, I will! Oh, yes, I’ll let you alone! And him, too; I’ll fix
him!"
"Let me go, I tell you!" she cried, trying to escape. "Let me go!" She
succeeded presently in wrenching her wrist out of his grasp. "You hurt
me!" She clasped the wrist he had almost crushed. "I hate you! I don’t
want anything more to do with you!"
Public-domain text, read in full here on John Shaqi.
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