Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
"No, thank you, Miss Elizabeth. I just came around to see you,"--she
looked up with a fond smile,--"and to get my clothes. Then I must go.
I want to go see father before I go back home. I guess I’ll pack my
things now, and then Archie’ll come for my trunk this afternoon."
"Oh, I’ll have Barker haul it over; he can just as well as not. And,
Gusta,"--Elizabeth rose on the impulse--"I’ll drive you to the hospital.
I was just going out. You wait here till I get my things."
Gusta’s face flushed with pleasure; she poured out her thanks, and then
she waited while Elizabeth rang for the carriage, and ran out to prepare
for the street, just as she used to.
It was a fine thing for Gusta to ride with Elizabeth in her brougham.
She had often imagined how it would be, sitting there in the exclusion
of the brougham’s upholstered interior, with the little clock, and the
mirror and the bottle of salts before her, and the woven silk tube
through which Elizabeth spoke to Barker when she wished to give him
directions. The drive to the hospital was all too short for Gusta, even
though Elizabeth prolonged it by another impulse which led her to drive
out of their way to get some fruit and some flowers.
In the street before the hospital, and along the driveway that led to
the suggestively wide side door, carriages were being slowly driven up
and down, denoting that the social leaders who were patronesses of the
hospital were now inside, patronizing the superintendent and the head
nurse. Besides these there were the high, hooded phaetons of the
fashionable physicians. It was the busy hour at the hospital. The
nurses had done their morning work, made their entries on their charts,
and were now standing in little groups about the hall, waiting for their
"cases" to come back from the operating-rooms. There was the odor of
anesthetics in the air, and the atmosphere of the place, professional
and institutional though it was, was surcharged with a heavy human
suspense--the suspense that hung over the silent, heavily breathing,
anesthetized human forms that were stretched on glass tables in the hot
operating-rooms up-stairs, some of them doomed to die, others to live
and prolong existence yet a while. The wide slow elevators were waiting
at the top floor; at the doors of the operating-rooms stood the
white-padded rubber-tired carts, the orderlies sitting on them swinging
their legs off the floor, and gossiping about the world outside, where
life did not hover, but throbbed on, intent, preoccupied. In private
rooms, in vacant rooms, in the office down-stairs, men and women, the
relatives of those on the glass tables above, waited with white,
haggard, frightened faces.
Public-domain text, read in full here on John Shaqi.
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