Criminals -- Fiction; Social problems -- Fiction; United States -- Social conditions -- 1865-1918 -- Fiction
The county jail was in commotion. In the street outside a patrol wagon
was backed against the curb. The sleek coats of its bay horses were
moist with mist; and as the horses stamped fretfully in the slush, the
driver, muffled in his policeman’s overcoat, spoke to them, begging them
to be patient, and each time looked back with a clouded face toward the
outer door of the jail. This door, innocent enough with its bright oak
panels and ground glass, was open. Inside, beyond the vestibule, beyond
another oaken door, stood Danner. He was in black, evidently his dress
for such occasions. He wore new, squeaking shoes, and his red face
showed the powder a barber had put on it half an hour before. On his
desk lay his overcoat, umbrella, and a small valise. The door of the
glass case on the wall, wherein were displayed all kinds of handcuffs,
nippers, squeezers, come-alongs and leather strait-jackets, together
with an impressive exhibit of monstrous steel keys, was open, and
several of its brass hooks were empty. Danner, as he stood in the middle
of the room, looked about as if to assure himself that he had forgotten
nothing, and then went to the window, drew out a revolver, broke it at
the breach, and carefully inspected its loads. That done, he snapped the
revolver together and slipped it into the holster that was slung to a
belt about his waist. He did not button the coat that concealed this
weapon. Then he looked through the window, saw the patrol wagon, took
out his watch and shouted angrily:
"For God’s sake, Hal, hurry up!"
Danner’s impatient admonition seemed to be directed through the great
barred door that opened off the other side of the office into the
prison, and from within there came the prompt and propitiatory reply of
the underling:
"All right, Jim, in a minute."
The open door, the evident preparation, the spirit of impending change,
the welcome break in the monotony of the jail’s diurnal routine, all
were evidenced in the tumult that was going on beyond that huge gate of
thick steel bars. The voice of the under-turnkey had risen above the
din of other voices proceeding from the depths of hidden cells; there
was a constant shuffle of feet on cement floors, the rattle of keys, the
heavy tumbling of bolts, the clang and grating of steel as the shifting
of a lever opened and closed simultaneously all the doors of an entire
tier of cells. These noises seemed to excite the inmates, but presently
above the discord arose human cries, a chorus of good-bys, followed in a
moment by those messages that conventionally accompany all departures,
though these were delivered in all the various shades of sarcasm and
bitter irony.
"Good-by!"
"Remember us to the main screw!"
"Think of us when you get to the big house!"
Thus the voices called.
And then suddenly, one voice rose above the rest, a fine barytone voice
that would have been beautiful had not it taken on a tone of mockery as
it sang:
Public-domain text, read in full here on John Shaqi.
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