The Turn of the Road: A Play in Two Scenes and an EpilogueMayne, Rutherford
General
The Turn of the Road: A Play in Two Scenes and an Epilogue
Mayne, Rutherford
Ireland -- Drama; Ulster (Northern Ireland and Ireland) -- Drama
I heerd up at Bann to-day, that ye won three poun' at the Feis at
Newcastle a Monday.
ELLEN.
I knew that on Tuesday. It was fine of Robbie wasn't it?
SAMUEL JAMES.
It all depends. Da heard it for the first time to-day and I can tell
you it didn't seem fine to him. Coorse a poun' or two would ha'e made
a differ o' opinion same as it done wi' you I expect.
ELLEN.
You needn't sneer at me. It was me told Robbie to keep it. He was
goin' to give it all up. I wouldn't be so mean as to take it off him.
SAMUEL JAMES.
Oh you're an unusual sort of young woman I know but if Robbie John
takes my advice, he better choose quick between playin' the fiddle
and stayin' on here.
ROBBIE JOHN.
Give up my fiddle. Never.
SAMUEL JAMES.
Well you can plaze yourself. I suppose you could make as much by
fiddlin' as if you stayed on here and waited till we had the place
divid among the three of us.
ELLEN.
Why I heard from Mr. Taylor that father was worth four or five hundred
pounds and then the two farms.
GRANDFATHER.
Aye. You'd be a long time Robbie John earnin' that wi' your fiddle.
Don't heed his fool talk son. Stay at home and nivir mind the
musicians.
ELLEN.
Robbie dear, and I'm sure Mr. Graeme would never let his daughter
marry a penniless fiddler--even if she would herself. I don't know.
She might and she--mightn't.
SAMUEL JAMES.
[Rising from table and stretching himself.]
Coorse if he made a name for himself he could marry the landlord's
daughter. I heerd the quality go mad after the musicianers.
[Makes to door.]
Well I'm going to wash my hands.
[Goes out to yard.]
GRANDFATHER.
Robbie dear. Come here.
ROBBIE JOHN.
Aye. What is it?
GRANDFATHER.
Take heed till yourself. I know what's going on better nor you. Take
an ould man's advice. Settle yourself down and give up that string
instrument. Coorse I daresay you may go and become a great man wi' it
but you're more like to become a cratur like thon that was in as not.
There's no good runnin' risks. And your father, I heerd him say
himself, if you make your bed, you'll lie on it, for he'll nivir help
you out, once you take to the fiddlin'.
ELLEN.
Aye Robbie. Its far better not to run the risk of becoming a beggar
man.
ROBBIE JOHN.
Well I'll think over it Ellen. I'll think over it.
GRANDFATHER.
Robbie, come out wi' me.
[The two go out by door into yard.
William John and Mrs. Granahan come
in arguing excitedly.]
MRS. GRANAHAN.
Well you can ha'e the poun' if you like, but I can tell you its a sore
pinch to make things do, what with the price of the sugar riz up and
the flour.
Public-domain text, read in full here on John Shaqi.
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