The TurnstileMason, A. E. W. (Alfred Edward Woodley)
General
The Turnstile
Mason, A. E. W. (Alfred Edward Woodley)
Fiction
A high screen
stood by the side of the bed and hid it from her altogether. But
across the room the long mirror faced her, and by looking at its
bright surface she could see whether the door opened or not. It was a
white door, with a round brass handle, and, continually, she was very
sure that she saw the handle turn. In her frantic imaginings her
father's very semblance changed. Gross though he was, still more she
distorted him, making his likeness fit with the knowledge which she
had of him. He meant to drag her away, and batten on what she had of
youth and freshness and good looks; and this, out of malice almost as
much as for profit, and to punish her for the happiness of her life.
He swelled into some grotesque and corpulent thing of evil with a fat,
loathsome face and gripping hands.
The night was a night of disillusionment for Cynthia. Romance was
stunned in her. All her pretty dreams, wherein she shyly walked with
the bright ones of the earth, were rent and blown to space like
gossamer. She seemed separated from them by a generation of years. She
looked back upon them with derision. A fine heroine she was to be if
that door opened. She was to walk--yes--but under the gas-lamps, and
not shyly, and with any who would. That was the plan deliberately
conceived for her and conceived by her own father. The mere thought of
it seemed to sully her, to make her unworthy. She remembered that only
that morning she had sent a telegram to Captain Rames, with a thrill
of excitement, as though she were doing a remarkable thing. She had
actually dared. She sat up, and in the bitterness of her heart laughed
at the great significance she had set upon herself. Her father had a
different view of her importance, and from head to foot she ached with
the pain of her humiliation.
Thus through the long hours she swung between terror and abasement,
each one mastering her in turn. Once she started up with a despairing
cry as she imagined her father driving her out into the street with
blows.
Could she make her living honestly if she ran away from him, she
wondered miserably, bethinking that at the worst she must kill
herself? At another moment she would recall with a pang of contempt
her enchanted garden and scorch its flowers with her ridicule. She
would walk in that garden no more. It was closed. She had been an
impostor in it always. It was a place of falsities. There was but one
true, real thing in it all--the turnstile in the wall which gave
admission to its precincts. Yes, that was true, and the turnstile,
with all it meant of shame and indifference, became to her a new
epitome of life.
Public-domain text, read in full here on John Shaqi.
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