I remembered how Leonard had once told me of some fellow or other he
had seen somewhere in Cashmere. I expect Mr. FitzHoward's allusion to
Indian fakirs had recalled the conversation to my mind. This fellow
had pretended to go to sleep, and had then been put in a hole in the
ground, and covered with earth--regularly buried, in fact. Some time
afterwards--I forget how long--he had been dug up again, and his
friends had tried to waken him up. They tried all sorts of things;
beat him with sticks, even cut him with knives. In vain. He would not
be roused. So they concluded he was dead. They placed the body in the
hut, or house, or whatever it was, in which Leonard was staying; in
the very apartment, in fact, in which he slept. In the middle of the
night Leonard woke up and saw the dead man coming to life. He stole
towards Leonard's bed with a knife in his hand. Leonard lay perfectly
still. In another second or two he would have himself been dead; and
this time really. But, just as the fellow was leaning over, in the
very act of striking, Leonard shot him with a revolver. The man fell
on to him a corpse. About his being a corpse there was, on this
occasion, no shadow of doubt whatever.
Twickenham's inference was that the whole thing, sleeping, burying,
and digging up again, had been a trick. I wondered if the show at
which we were assisting was a trick. One never knows. Though it was
difficult to see where the deceit came in. There was the man; there he
was two days ago. That he appeared then as he appeared now I, for one,
was prepared to testify. The only question was--was he released each
night, after the departure of the public, to enjoy a supper, say, of
pork and beans, and a hand of cards with Mr. FitzHoward? It seemed
hardly likely that the management would be a party to so egregious a
swindle on the British public. It would mean ruin if discovered. Since
large interests were at stake, the game would surely not be worth the
candle. And without active managerial participation the thing could
not be done.
Suppose, on the other hand, the man was dead, as he seemed--that he
had died to make an Aquarium side show? It occurred to me that, both
legally and morally, we spectators would be in rather an uncomfortable
position.
Possibly it was my recollection of Twickenham's story which served to
emphasise, to my thinking, the sleeper's resemblance to its narrator.
As I looked I became more and more convinced that it was he I saw.
Indeed, all doubt was at an end. I felt that he had only to open his
eyes, and speak, for me to realise that the thing had been certain
from the first. That being the case, only one of two things could save
us all from ruin.
Public-domain text, read in full here on John Shaqi.
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