But not a dog barked; and all the town, accustomed to the false alarms
of these nightly prowlers, stayed quietly in their beds. When his
two comrades reached him, Max had fainted. It was necessary to rouse
Monsieur Goddet, the surgeon. Max had recognized Fario; but when he came
to his senses, with several persons about him, and felt that his wound
was not mortal, it suddenly occurred to him to make capital out of the
attack, and he said, in a faint voice,--
“I think I recognized that cursed painter!”
Thereupon Lousteau-Prangin ran off to his father, the judge. Max was
carried home by Cognette, young Goddet, and two other persons. Mere
Cognette and Monsieur Goddet walked beside the stretcher. Those who
carried the wounded man naturally looked across at Monsieur Hochon’s
door while waiting for Kouski to let them in, and saw Monsieur Hochon’s
servant sweeping the steps. At the old miser’s, as everywhere else in
the provinces, the household was early astir. The few words uttered by
Max had roused the suspicions of Monsieur Goddet, and he called to the
woman,--
“Gritte, is Monsieur Joseph Bridau in bed?”
“Bless me!” she said, “he went out at half-past four. I don’t know what
ailed him; he walked up and down his room all night.”
This simple answer drew forth such exclamations of horror that the
woman came over, curious to know what they were carrying to old Rouget’s
house.
“A precious fellow he is, that painter of yours!” they said to her.
And the procession entered the house, leaving Gritte open-mouthed
with amazement at the sight of Max in his bloody shirt, stretched
half-fainting on a mattress.
Artists will readily guess what ailed Joseph, and kept him restless all
night. He imagined the tale the bourgeoisie of Issoudun would tell of
him. They would say he had fleeced his uncle; that he was everything but
what he had tried to be,--a loyal fellow and an honest artist! Ah!
he would have given his great picture to have flown like a swallow to
Paris, and thrown his uncle’s paintings at Max’s nose. To be the one
robbed, and to be thought the robber!--what irony! So at the earliest
dawn, he had started for the poplar avenue which led to Tivoli, to give
free course to his agitation.
Public-domain text, read in full here on John Shaqi.
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