While the innocent fellow was vowing, by way of consolation, never
to return to Issoudun, Max was preparing a horrible outrage for
his sensitive spirit. When Monsieur Goddet had probed the wound and
discovered that the knife, turned aside by a little pocket-book, had
happily spared Max’s life (though making a serious wound), he did as all
doctors, and particularly country surgeons, do; he paved the way for his
own credit by “not answering for the patient’s life”; and then, after
dressing the soldier’s wound, and stating the verdict of science to the
Rabouilleuse, Jean-Jacques Rouget, Kouski, and the Vedie, he left the
house. The Rabouilleuse came in tears to her dear Max, while Kouski and
the Vedie told the assembled crowd that the captain was in a fair way
to die. The news brought nearly two hundred persons in groups about the
place Saint-Jean and the two Narettes.
“I sha’n’t be a month in bed; and I know who struck the blow,” whispered
Max to Flore. “But we’ll profit by it to get rid of the Parisians.
I have said I thought I recognized the painter; so pretend that I am
expected to die, and try to have Joseph Bridau arrested. Let him taste
a prison for a couple of days, and I know well enough the mother will be
off in a jiffy for Paris when she gets him out. And then we needn’t fear
the priests they talk of setting on the old fool.”
When Flore Brazier came downstairs, she found the assembled crowd quite
prepared to take the impression she meant to give them. She went out
with tears in her eyes, and related, sobbing, how the painter, “who had
just the face for that sort of thing,” had been angry with Max the night
before about some pictures he had “wormed out” of Pere Rouget.
“That brigand--for you’ve only got to look at him to see what he
is--thinks that if Max were dead, his uncle would leave him his fortune;
as if,” she cried, “a brother were not more to him than a nephew! Max is
Doctor Rouget’s son. The old one told me so before he died!”
“Ah! he meant to do the deed just before he left Issoudun; he chose
his time, for he was going away to-day,” said one of the Knights of
Idleness.
“Max hasn’t an enemy in Issoudun,” said another.
“Besides, Max recognized the painter,” said the Rabouilleuse.
“Where’s that cursed Parisian? Let us find him!” they all cried.
“Find him?” was the answer, “why, he left Monsieur Hochon’s at
daybreak.”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account