One evening at the beginning of February, Giroudeau took Philippe after
dinner to the Gaite, occupying a free box sent to a theatrical journal
belonging to his nephew Finot, in whose office Giroudeau was cashier
and secretary. Both were dressed after the fashion of the Bonapartist
officers who now belonged to the Constitutional Opposition; they wore
ample overcoats with square collars, buttoned to the chin and coming
down to their heels, and decorated with the rosette of the Legion of
honor; and they carried malacca canes with loaded knobs, which they held
by strings of braided leather. The late troopers had just (to use one of
their own expressions) “made a bout of it,” and were mutually unbosoming
their hearts as they entered the box. Through the fumes of a certain
number of bottles and various glasses of various liquors, Giroudeau
pointed out to Philippe a plump and agile little ballet-girl whom he
called Florentine, whose good graces and affection, together with the
box, belonged to him as the representative of an all-powerful journal.
“But,” said Philippe, “I should like to know how far her good graces go
for such an iron-gray old trooper as you.”
“Thank God,” replied Giroudeau, “I’ve stuck to the traditions of our
glorious uniform. I have never wasted a farthing upon a woman in my
life.”
“What’s that?” said Philippe, putting a finger on his left eye.
“That is so,” answered Giroudeau. “But, between ourselves, the newspaper
counts for a good deal. To-morrow, in a couple of lines, we shall advise
the managers to let Mademoiselle Florentine dance a particular step, and
so forth. Faith, my dear boy, I’m uncommonly lucky!”
“Well!” thought Philippe; “if this worthy Giroudeau, with a skull as
polished as my knee, forty-eight years, a big stomach, a face like a
ploughman, and a nose like a potato, can get a ballet-girl, I ought to
be the lover of the first actress in Paris. Where does one find such
luck?” he said aloud.
“I’ll show you Florentine’s place to-night. My Dulcinea only earns
fifty francs a month at the theatre,” added Giroudeau, “but she is very
prettily set up, thanks to an old silk dealer named Cardot, who gives
her five hundred francs a month.”
“Well, but--?” exclaimed the jealous Philippe.
“Bah!” said Giroudeau; “true love is blind.”
When the play was over Giroudeau took Philippe to Mademoiselle
Florentine’s _appartement_, which was close to the theatre, in the rue
de Crussol.
“We must behave ourselves,” said Giroudeau. “Florentine’s mother is
here. You see, I haven’t the means to pay for one, so the worthy woman
is really her own mother. She used to be a concierge, but she’s not
without intelligence. Call her Madame; she makes a point of it.”
Public-domain text, read in full here on John Shaqi.
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