England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction
The cabin door, in the position which she now occupied, was on her left
hand. The child was close behind her. I was on her right. Before us
was the open deck, and the low gunwale of the boat overlooking the deep
water. In a moment we might step across; in a moment we might take the
fatal plunge. The bare thought of it brought the mad wickedness in me to
its climax. I became suddenly incapable of restraining myself. I threw
my arm round her waist with a loud laugh. "Come," I said, trying to drag
her across the deck--"come and look at the water."
She released herself by a sudden effort of strength that astonished me.
With a faint cry of horror, she turned to take the child by the hand and
get back to the quay. I placed myself between her and the sides of the
boat, and cut off her retreat in that way. Still laughing, I asked her
what she was frightened about. She drew back, and snatched the key of
the cabin door out of the child's hand. The cabin was the one place of
refuge now left, to which she could escape from the deck of the boat.
In the terror of the moment, she never hesitated. She unlocked the door,
and hurried down the two or three steps which led into the cabin, taking
the child with her. I followed them, conscious that I had betrayed
myself, yet still obstinately, stupidly, madly bent on carrying out my
purpose. "I have only to behave quietly," I thought to myself, "and I
shall persuade her to go on deck again."
My lamp was burning as I had left it; my traveling-bag was on the table.
Still holding the child, she stood, pale as death, waiting for me.
Elfie's wondering eyes rested inquiringly on my face as I approached
them. She looked half inclined to cry; the suddenness of the mother's
action had frightened the child. I did my best to compose Elfie before
I spoke to her mother. I pointed out the different objects which were
likely to interest her in the cabin. "Go and look at them," I said, "go
and amuse yourself."
The child still hesitated. "Are you angry with me?" she asked.
"No, no!"
"Are you angry with mamma?"
"Certainly not." I turned to Mrs. Van Brandt. "Tell Elfie if I am angry
with you," I said.
She was perfectly aware, in her critical position, of the necessity of
humoring me. Between us, we succeeded in composing the child. She turned
away to examine, in high delight, the new and strange objects which
surrounded her. Meanwhile her mother and I stood together, looking at
each other by the light of the lamp, with an assumed composure which hid
our true faces like a mask. In that horrible situation, the grotesque
and the terrible, always together in this strange life of ours, came
together now. On either side of us, the one sound that broke the
sinister and threatening silence was the lumpish snoring of the sleeping
captain and crew.
She was the first to speak.
"If you wish to give me the money," she said, trying to propitiate me in
that way, "I am ready to take it now."
Public-domain text, read in full here on John Shaqi.
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