The Two First Centuries of Florentine History: The Republic and Parties at the Time of Dante. Fourth Impression.Villari, Pasquale
Philosophy
The Two First Centuries of Florentine History: The Republic and Parties at the Time of Dante. Fourth Impression.
Villari, Pasquale
Florence (Italy) -- History -- To 1421
Historical criticism was as yet
unborn.
The scholarship of the fifteenth century gave rise to the study and
imitation of Sallust and Livy; and Italian writers were no longer
content to register facts from day to day, unconnectedly and without
order. Many wrote in Latin, others in Italian; but all sought to
compose historical narratives in a more artistic, or at all events,
more artificial way. They launched into exordiums and general
considerations; gave lengthy descriptions, eked out by many flights of
fancy, of wars they had never witnessed, and of which they knew little
or nothing; they attributed imaginary speeches to their personages,
and sometimes fashioned their narratives in the shape of dialogues, to
increase the distance between themselves and their fourteenth-century
predecessors.[3]
It was a period of rhetorical essays and servile imitations of the
classics, during which Italian history and literature declined,
although preparing for revival in the coming age. In fact, we find the
art of history notably advanced in the sixteenth century. Machiavelli,
who may be styled the most illustrious founder of that art, begins with
a word of blame to preceding historians exactly because "they had said
little or nothing of civil discords, or of existing internal enmities
and their effects, and described other matters with a brevity that
could be neither useful nor pleasing to the reader." Indirectly, these
words serve as a faithful portrait of the book that has proved the
most lasting monument to his own fame. He inquires into the causes of
events, the origin of all the parties and revolutions of the Republic;
thus creating a new method and opening a new road. He reduces the
whole history of the Commonwealth into an admirable unity; he rejects
with profound contempt the fabulous tales bequeathed by the chronicler
regarding the foundation of Florence, and throws an eagle glance on
party manoeuvres from their origin down to his own day. He was the
first to undertake these researches, and, notwithstanding all newer
investigations, his fundamental idea maintains its value.
Public-domain text, read in full here on John Shaqi.
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