"Did you stop at the cabin?" she asked without looking up.
He regarded her with amused eyes, standing loosely, his arms folded,
the fingers of his right hand pulling at his chin. "Did I stop?" he
repeated. "I couldn't rightly say. Seems to me as though I did. You
see, I didn't intend to, but I was ridin' down that way an' I thought
I'd stop in an' have a talk with Ben."
"Oh!" Sometimes even a monosyllable is pregnant with mockery.
"But he wasn't there. Nobody was there. I wasn't reckonin' on
everybody runnin' off."
She turned and looked straight at him. "Why," she said, "I shouldn't
think our running away would surprise you. You see, you set us an
example in running away the other day."
He knew instantly that she referred to his precipitate retreat on the
night she had hinted that she intended putting him into her story. She
shot another glance at him and saw his face redden with embarrassment,
but he showed no intention of running now.
"I've been thinkin' of what you said," he returned. "You couldn't put
me into no book. You don't know anything about me. You don't know
what I think. Then how could you do it?"
"Of course," she returned, turning squarely around to him and speaking
seriously, "the story will be fiction, and the plot will have no
foundation in fact. But I shall be very careful to have my characters
talk and act naturally. To do this I shall have to study the people
whom I wish to characterize."
He was moved by an inward mirth. "You're still thinkin' of puttin' me
into the book?" he questioned.
She nodded, smiling.
"Then," he said, very gravely, "you hadn't ought to have told me. You
didn't show so clever there. Ain't you afraid that I'll go to actin'
swelled? If I do that, you'd not have the character you wanted."
"I had thought of that, too," she returned seriously. "If you were
that kind of a man I shouldn't want you in the book. How do you know
that I haven't told you for the purpose of discovering if you would be
affected in that manner?"
He scratched his head, contemplating her gravely. "I reckon you're
travelin' too fast for me, ma'am," he said.
His expression of frank amusement was good to see. He stood before
her, plainly ready to surrender. Absolutely boyish, he seemed to
her--a grown-up boy to be sure, but with a boy's enthusiasms, impulses,
and generosity. Yet in his eyes was something that told of maturity,
of conscious power, of perfect trust in his ability to give a good
account of himself, even in this country where these qualities
constituted the chief rule of life.
A strange emotion stirred her, a sudden quickening of the pulse told
her that something new had come into her life. She drew a deep,
startled breath and felt her cheeks crimsoning. She swiftly turned her
head and gazed out over the flat, leaving him standing there, scarcely
comprehending her embarrassment.
Public-domain text, read in full here on John Shaqi.
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