The Two Lovers of Heaven: Chrysanthus and Daria: A Drama of Early Christian RomeCalderón de la Barca, Pedro
Religion
The Two Lovers of Heaven: Chrysanthus and Daria: A Drama of Early Christian Rome
Calderón de la Barca, Pedro
Christian martyrs -- Italy -- Rome -- Drama
In truth, there is nothing analogous to a Spanish Auto in
English original poetry. The nearest approach to it, and the only one,
is The Prometheus Unbound of Shelley. There, indeed, The Earth, Ocean,
The Spirits of the Hours, The Phantasm of Jupiter, Demogorgon, and
Prometheus himself, read like the 'Personas' of a Spanish Auto, and the
poetry is worthy the resemblance. The Autos Sacramentales differ also,
not only in degree but in kind from every form of Mystery or Morality
produced either in England or on the Continent. But to return to the
lecture by Sir F. H. Doyle. Even in smaller matters he is not accurate.
Thus he has transcribed incorrectly from my Introduction the name of the
distinguished commentator on the Autos of Calderon and their translator
into German--Dr. Lorinser. This Sir F. H. Doyle has printed throughout
his lecture 'Lorinzer'. From private letters which I have had the
honour of receiving from this learned writer, there can be no doubt that
the form as originally given by me is the right one. With these
corrections the lecture of Sir F. H. Doyle may be quoted as a valuable
testimony to the extraordinary poetic beauty of these Autos even in a
translation.
LECTURE III.--Dr. Newman's Dream of Gerontius.
"It is probable, indeed, that the first idea of composing such a
dramatic work may have been suggested to Dr. Newman by the Autos
Sacramentales of Spain, and especially by those of the illustrious
Calderon; but, so far as I can learn, he has derived hardly anything
from them beyond the vaguest hints, except, indeed, the all-important
knowledge, that a profound religious feeling can represent itself, and
that effectively, in the outward form of a play. I may remark that
these Spanish Autos of Calderon constitute beyond all question a very
wonderful and a very original school of poetry, and I am not without
hope that, when I know my business a little better, we may examine them
impartially together. Nay, even as it is, Calderon stands so
indisputably at the head of all Catholic religious dramatists, among
whom Dr. Newman has recently enrolled himself, that perhaps it may not
be out of place to inquire for a moment into his poetical methods and
aims, in order that we may then discover, if we can, how and why the
disciple differs from his master. Now there is a great conflict of
opinion as to the precise degree of merit which these particular Spanish
dramas possess. Speaking as an ignorant man, I should say, whilst those
who disparage them seem rather hasty in their judgments, and not so well
informed as could be wished, still the kind of praise which they receive
from their most enthusiastic admirers puzzles and does not instruct us.
Public-domain text, read in full here on John Shaqi.
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