The Two Lovers of Heaven: Chrysanthus and Daria: A Drama of Early Christian Rome — John Shaqi
The Two Lovers of Heaven: Chrysanthus and Daria: A Drama of Early Christian RomeCalderón de la Barca, Pedro
Religion
The Two Lovers of Heaven: Chrysanthus and Daria: A Drama of Early Christian Rome
Calderón de la Barca, Pedro
Christian martyrs -- Italy -- Rome -- Drama
CYNTHIA.
Oh! what has happened, say?
ESCARPIN.
Chrysanthus, being immured
By his stern sire, a thousand ills endured.
Daria too, the same,
But in a house my tongue declines to name.
It pleased the God they both adore
Both to their freedom strangely to restore,
And from their many pains
To free them, and to break their galling chains,
Giving Daria, as attendant squire,
A roaring lion, rolling eyes of fire:--
In fine the two have fled,
But each apart by separate instinct led
To this wild mountain near.
Numerianus coming then to hear
Of the event, assuming in his wrath,
That 't was Polemius who had oped the path
Of freedom for his son and for the maid,
Has not an hour delayed,
But follows them with such a numerous band,
That, see, his squadrons cover all the land.
VOICES (within).
Scour the whole plain.
OTHERS (within).
Descend into the vale.
OTHERS (within).
Pierce the thick wood.
OTHERS (within).
The rugged mountain scale.
ESCARPIN.
This noise, these cries, confirm what I have said:
And since by curiosity I 'm led
To sift the matter to the bottom, I
Will follow with the rest.
CYNTHIA.
I almost die
With fear at the alarm, and yet so great
Is my desire to know Daria's fate,
And that of young Chrysanthus, that I too
Will follow, if a woman so may do.
ESCARPIN.
What strange results such strange events produce!
The very wonder serves as an excuse.
NISIDA.
Well, we must only hope that it is so.
Come, Cynthia, let us follow her.
CYNTHIA.
Let us go.
ESCARPIN.
And I with love most fervent,
Ladies, will be your very humble servant. [Exeunt.
SCENE IV.--A wilder part of the wood near the cave.
(Enter DARIA guided by the lion.)
DARIA.
O mighty lion, whither am I led?
Where wouldst thou guide me with thy stately tread,
That seems to walk not on the earth, but air?
But lo! he has entered there
Where yonder cave its yawning mouth lays bare,
[The lion enters a cave.]
Leaving me here alone.
But now fate clears, and all will soon be known;
For if I read aright
The signs this desert gives unto my sight,
It is the very place whence echo gave
Responsive music from this mystic cave.
Terror and wonder both my senses scare,
Ah! whither shall I go?
CHRYSANTHUS (within).
Daria fair!
DARIA.
Who calls my hapless name?
Each leaf that moves doth thrill this wretched frame
With boding and with dread.
But why say wretched? I had better said
Thrice bless`ed: O great God whom I adore,
Baptize me in those tears that I outpour,
In no more fitting form can I declare
My faith and hope in thee.
CHRYSANTHUS (within).
Daria fair.
DARIA.
Who calls my name? who wakes those wild alarms?
(Enter Chrysanthus.)
CHRYSANTHUS.
Belov`ed bride, 't is one to whom thy charms
Are even less dear than is thy soul, ah! me,
One who would live and who will die with thee.
Public-domain text, read in full here on John Shaqi.
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