Athens (Greece); Knights and knighthood -- Drama; Tragicomedy
Flourish. Enter Theseus, Hippolyta, Emilia, Pirithous and some
Attendants.
EMILIA.
I’ll no step further.
PIRITHOUS.
Will you lose this sight?
EMILIA.
I had rather see a wren hawk at a fly
Than this decision. Every blow that falls
Threats a brave life; each stroke laments
The place whereon it falls, and sounds more like
A bell than blade. I will stay here.
It is enough my hearing shall be punished
With what shall happen, ’gainst the which there is
No deafing, but to hear; not taint mine eye
With dread sights it may shun.
PIRITHOUS.
Sir, my good lord,
Your sister will no further.
THESEUS.
O, she must.
She shall see deeds of honour in their kind,
Which sometime show well, penciled. Nature now
Shall make and act the story, the belief
Both sealed with eye and ear. You must be present;
You are the victor’s meed, the price and garland
To crown the question’s title.
EMILIA.
Pardon me;
If I were there, I’d wink.
THESEUS.
You must be there;
This trial is as ’twere i’ th’ night, and you
The only star to shine.
EMILIA.
I am extinct.
There is but envy in that light which shows
The one the other. Darkness, which ever was
The dam of horror, who does stand accursed
Of many mortal millions, may even now,
By casting her black mantle over both,
That neither could find other, get herself
Some part of a good name, and many a murder
Set off whereto she’s guilty.
HIPPOLYTA.
You must go.
EMILIA.
In faith, I will not.
THESEUS.
Why, the knights must kindle
Their valour at your eye. Know, of this war
You are the treasure, and must needs be by
To give the service pay.
EMILIA.
Sir, pardon me;
The title of a kingdom may be tried
Out of itself.
THESEUS.
Well, well, then, at your pleasure.
Those that remain with you could wish their office
To any of their enemies.
HIPPOLYTA.
Farewell, sister.
I am like to know your husband ’fore yourself
By some small start of time. He whom the gods
Do of the two know best, I pray them he
Be made your lot.
[_Exeunt all but Emilia._]
EMILIA.
Arcite is gently visaged, yet his eye
Is like an engine bent, or a sharp weapon
In a soft sheath; mercy and manly courage
Are bedfellows in his visage. Palamon
Has a most menacing aspect; his brow
Is graved, and seems to bury what it frowns on;
Yet sometimes ’tis not so, but alters to
The quality of his thoughts. Long time his eye
Will dwell upon his object. Melancholy
Becomes him nobly; so does Arcite’s mirth;
But Palamon’s sadness is a kind of mirth,
So mingled as if mirth did make him sad
And sadness merry. Those darker humours that
Stick misbecomingly on others, on them
Live in fair dwelling.
[_Cornets. Trumpets sound as to a charge._]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account