Next to your paling, comes your low stone dyke, your mountain fence,
indicative at a glance either of wild hill country, or of beds of stone
beneath the soil; the hedge of the mountains--delightful in all its
associations, and yet more in the varied and craggy forms of the loose
stones it is built of; and next to the low stone wall, your lowland
hedge, either in trim line of massive green, suggested of the
pleasances of old Elizabethan houses, and smooth alleys for aged feet,
and quaint labyrinths for young ones, or else in fair entanglement of
eglantine and virgin's bower, tossing its scented luxuriance along our
country waysides;--how many such you have here among your pretty hills,
fruitful with black clusters of the bramble for boys in autumn, and
crimson hawthorn berries for birds in winter. And then last, and most
difficult to class among fences, comes your handrail, expressive of all
sorts of things; sometimes having a knowing and vicious look, which it
learns at race-courses; sometimes an innocent and tender look, which it
learns at rustic bridges over cressy brooks; and sometimes a prudent
and protective look, which it learns on passes of the Alps, where it
has posts of granite and bars of pine, and guards the brows of cliffs
and the banks of torrents. So that in all these kinds of defence there
is some good, pleasant, or noble meaning. But what meaning has the iron
railing? Either, observe, that you are living in the midst of such bad
characters that you must keep them out by main force of bar, or that
you are yourself of a character requiring to be kept inside in the same
manner. Your iron railing always means thieves outside, or Bedlam
inside; it _can_ mean nothing else than that. If the people
outside were good for anything, a hint in the way of fence would be
enough for them; but because they are violent and at enmity with you,
you are forced to put the close bars and the spikes at the top.
Public-domain text, read in full here on John Shaqi.
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