The Two Spies: Nathan Hale and John AndréLossing, Benson John
History
The Two Spies: Nathan Hale and John André
Lossing, Benson John
André, John, 1751-1780; Hale, Nathan, 1755-1776
"A passage being now opened between the pavilions, the knights,
preceded by their 'squires and the bands of music, rode through the
first triumphal arch and arranged themselves to the right and left.
This arch was erected in honor of Lord Howe. It presented two fronts,
in the Tuscan order; the pediment was adorned with various naval
trophies, and at the top was a figure of Neptune, with a trident
in his right hand. In a niche on each side stood a sailor with a
drawn cutlass. Three plumes of feathers were placed on the summit
of each wing, and on the entablature was this inscription: '_Laus
illi debetur, et a me gratia major_.' The interval between the two
arches was an avenue three hundred feet long and thirty-four broad.
It was lined on each side with a file of troops; and the colors of
all the army, planted at proper distances, had a beautiful effect in
diversifying the scene.
"Between these colors the knights and 'squires took their stations. The
bands continued to play several pieces of martial music. The company
moved forward in procession, with the ladies in the Turkish habits in
front: as these passed they were saluted by their knights, who then
dismounted and joined them; and in this order we were all conducted
into a garden that fronted the house, through the second triumphal arch
dedicated to the general. This arch was also built in the Tuscan order.
On the interior part of the pediment were painted a Plume of Feathers
and various military trophies. At the top stood the figure of Fame, and
on the entablature these words--'_I, bone, quo virtuo tua le vocet; I
pede fausto_.' On the right-hand pillar was placed a bomb-shell, and
on the left a flaming heart. The front next the house was adorned with
preparations for a fire-work.
"From the garden we ascended a flight of steps covered with carpets,
which led into a spacious hall; the panels, painted in imitation of
Sienna marble,[23] inclosing portions of white marble; the surbase and
all below were black. In this hall, and in the adjoining apartments,
were prepared tea, lemonade, and other cooling liquors, to which the
company seated themselves; during which time the knights came in, and
on the knee received their favors from their respective ladies. One of
these rooms was afterward appropriated to the use of the Pharaoh table.
As you entered it you saw, in a panel over the chimney, a cornucopia,
exuberantly filled with flowers of the richest colors. Over the door,
as you went out, another presented itself, shrunk, reversed, and
emptied.
Public-domain text, read in full here on John Shaqi.
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