ON the evening of a certain November day, two years after the events
heretofore chronicled, Francesca Bassington steered her way through the
crowd that filled the rooms of her friend Serena Golackly, bestowing nods
of vague recognition as she went, but with eyes that were obviously
intent on focussing one particular figure. Parliament had pulled its
energies together for an Autumn Session, and both political Parties were
fairly well represented in the throng. Serena had a harmless way of
inviting a number of more or less public men and women to her house, and
hoping that if you left them together long enough they would constitute a
_salon_. In pursuance of the same instinct she planted the flower
borders at her week-end cottage retreat in Surrey with a large mixture of
bulbs, and called the result a Dutch garden. Unfortunately, though you
may bring brilliant talkers into your home, you cannot always make them
talk brilliantly, or even talk at all; what is worse you cannot restrict
the output of those starling-voiced dullards who seem to have, on all
subjects, so much to say that was well worth leaving unsaid. One group
that Francesca passed was discussing a Spanish painter, who was
forty-three, and had painted thousands of square yards of canvas in his
time, but of whom no one in London had heard till a few months ago; now
the starling-voices seemed determined that one should hear of very little
else. Three women knew how his name was pronounced, another always felt
that she must go into a forest and pray whenever she saw his pictures,
another had noticed that there were always pomegranates in his later
compositions, and a man with an indefensible collar knew what the
pomegranates “meant.” “What I think so splendid about him,” said a stout
lady in a loud challenging voice, “is the way he defies all the
conventions of art while retaining all that the conventions stand for.”
“Ah, but have you noticed—” put in the man with the atrocious collar, and
Francesca pushed desperately on, wondering dimly as she went, what people
found so unsupportable in the affliction of deafness. Her progress was
impeded for a moment by a couple engaged in earnest and voluble
discussion of some smouldering question of the day; a thin spectacled
young man with the receding forehead that so often denotes advanced
opinions, was talking to a spectacled young woman with a similar type of
forehead, and exceedingly untidy hair. It was her ambition in life to be
taken for a Russian girl-student, and she had spent weeks of patient
research in trying to find out exactly where you put the tea-leaves in a
samovar. She had once been introduced to a young Jewess from Odessa, who
had died of pneumonia the following week; the experience, slight as it
was, constituted the spectacled young lady an authority on all things
Russian in the eyes of her immediate set.
Public-domain text, read in full here on John Shaqi.
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