An advantageous marriage was so obviously the most sensible course for
him to embark on that she scarcely dared to hope that he would seriously
entertain it; yet there was just a chance that if he got as far as the
flirtation stage with an attractive (and attracted) girl who was also an
heiress, the sheer perversity of his nature might carry him on to more
definite courtship, if only from the desire to thrust other more
genuinely enamoured suitors into the background. It was a forlorn hope;
so forlorn that the idea even crossed her mind of throwing herself on the
mercy of her _bête noire_, Courtenay Youghal, and trying to enlist the
influence which he seemed to possess over Comus for the purpose of
furthering her hurriedly conceived project. Anyhow, the dinner promised
to be more interesting than she had originally anticipated.
Lady Caroline was a professed Socialist in politics, chiefly, it was
believed, because she was thus enabled to disagree with most of the
Liberals and Conservatives, and all the Socialists of the day. She did
not permit her Socialism, however, to penetrate below stairs; her cook
and butler had every encouragement to be Individualists. Francesca, who
was a keen and intelligent food critic, harboured no misgivings as to her
hostess’s kitchen and cellar departments; some of the human side-dishes
at the feast gave her more ground for uneasiness. Courtenay Youghal, for
instance, would probably be brilliantly silent; her brother Henry would
almost certainly be the reverse.
The dinner party was a large one and Francesca arrived late with little
time to take preliminary stock of the guests; a card with the name, “Miss
de Frey,” immediately opposite her own place at the other side of the
table, indicated, however, the whereabouts of the heiress. It was
characteristic of Francesca that she first carefully read the menu from
end to end, and then indulged in an equally careful though less open
scrutiny of the girl who sat opposite her, the girl who was nobody in
particular, but whose income was everything that could be desired. She
was pretty in a restrained nut-brown fashion, and had a look of grave
reflective calm that probably masked a speculative unsettled temperament.
Her pose, if one wished to be critical, was just a little too elaborately
careless. She wore some excellently set rubies with that indefinable air
of having more at home that is so difficult to improvise. Francesca was
distinctly pleased with her survey.
“You seem interested in your _vis-à-vis_,” said Courtenay Youghal.
“I almost think I’ve seen her before,” said Francesca; “her face seems
familiar to me.”
“The narrow gallery at the Louvre; attributed to Leonardo da Vinci,” said
Youghal.
Public-domain text, read in full here on John Shaqi.
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