ELAINE DE FREY sat at ease—at bodily ease—at any rate—in a low wicker chair placed under the shade of a group of cedars in the heart of a stately spacious garden that had almost made up its mind to be a park. The shallow stone basin of an old fountain, on whose wide ledge a leaden-moulded otter for ever preyed on a leaden salmon, filled a conspicuous place in the immediate foreground. Around its rim ran an inscription in Latin, warning mortal man that time flows as swiftly as water and exhorting him to make the most of his hours; after which piece of Jacobean moralising it set itself shamelessly to beguile all who might pass that way into an abandonment of contemplative repose. On all sides of it a stretch of smooth turf spread away, broken up here and there by groups of dwarfish chestnut and mulberry trees, whose leaves and branches cast a laced pattern of shade beneath them. On one side the lawn sloped gently down to a small lake, whereon floated a quartette of swans, their movements suggestive of a certain mournful listlessness, as though a weary dignity of caste held them back from the joyous bustling life of the lesser waterfowl. Elaine liked to imagine that they re-embodied the souls of unhappy boys who had been forced by family interests to become high ecclesiastical dignitaries and had grown prematurely Right Reverend. A low stone balustrade fenced part of the shore of the lake, making a miniature terrace above its level, and here roses grew in a rich multitude. Other rose bushes, carefully pruned and tended, formed little oases of colour and perfume amid the restful green of the sward, and in the distance the eye caught the variegated blaze of a many-hued hedge of rhododendron. With these favoured exceptions flowers were hard to find in this well-ordered garden; the misguided tyranny of staring geranium beds and beflowered archways leading to nowhere, so dear to the suburban gardener, found no expression here. Magnificent Amherst pheasants, whose plumage challenged and almost shamed the peacock on his own ground, stepped to and fro over the emerald turf with the assured self-conscious pride of reigning sultans. It was a garden where summer seemed a part-proprietor rather than a hurried visitor. By the side of Elaine’s chair under the shadow of the cedars a wicker table was set out with the paraphernalia of afternoon tea. On some cushions at her feet reclined Courtenay Youghal, smoothly preened and youthfully elegant, the personification of decorative repose; equally decorative, but with the showy restlessness of a dragonfly, Comus disported his flannelled person over a considerable span of the available foreground.