And herein sprouted one of the thorns that obtruded through the rose-leaf damask of what might otherwise have been Francesca’s peace of mind. One’s happiness always lies in the future rather than in the past. With due deference to an esteemed lyrical authority one may safely say that a sorrow’s crown of sorrow is anticipating unhappier things. The house in Blue Street had been left to her by her old friend Sophie Chetrof, but only until such time as her niece Emmeline Chetrof should marry, when it was to pass to her as a wedding present. Emmeline was now seventeen and passably good-looking, and four or five years were all that could be safely allotted to the span of her continued spinsterhood. Beyond that period lay chaos, the wrenching asunder of Francesca from the sheltering habitation that had grown to be her soul. It is true that in imagination she had built herself a bridge across the chasm, a bridge of a single span. The bridge in question was her schoolboy son Comus, now being educated somewhere in the southern counties, or rather one should say the bridge consisted of the possibility of his eventual marriage with Emmeline, in which case Francesca saw herself still reigning, a trifle squeezed and incommoded perhaps, but still reigning in the house in Blue Street. The Van der Meulen would still catch its requisite afternoon light in its place of honour, the Fremiet and the Dresden and Old Worcester would continue undisturbed in their accustomed niches. Emmeline could have the Japanese snuggery, where Francesca sometimes drank her after-dinner coffee, as a separate drawing-room, where she could put her own things. The details of the bridge structure had all been carefully thought out. Only—it was an unfortunate circumstance that Comus should have been the span on which everything balanced.