“I’ve never trodden on a pet lamb,” said Lady Caroline, “so I’ve no idea
what its behaviour would be under the circumstances.”
“Tell me,” said the authoress, coming to the front of the box, the better
to survey the house, and perhaps also with a charitable desire to make
things easy for those who might pardonably wish to survey her, “tell me,
please, where is the girl sitting whom Courtenay Youghal is engaged to?”
Elaine was pointed out to her, sitting in the fourth row of the stalls,
on the opposite side of the house to where Comus had his seat. Once
during the interval she had turned to give him a friendly nod of
recognition as he stood in one of the side gangways, but he was absorbed
at the moment in looking at himself in the glass panel. The grave brown
eyes and the mocking green-grey ones had looked their last into each
other’s depths.
For Comus this first-night performance, with its brilliant gathering of
spectators, its groups and coteries of lively talkers, even its
counterfoil of dull chatterers, its pervading atmosphere of stage and
social movement, and its intruding undercurrent of political flutter, all
this composed a tragedy in which he was the chief character. It was the
life he knew and loved and basked in, and it was the life he was leaving.
It would go on reproducing itself again and again, with its stage
interest and social interest and intruding outside interests, with the
same lively chattering crowd, the people who had done things being
pointed out by people who recognised them to people who didn’t—it would
all go on with unflagging animation and sparkle and enjoyment, and for
him it would have stopped utterly. He would be in some unheard-of
sun-blistered wilderness, where natives and pariah dogs and
raucous-throated crows fringed round mockingly on one’s loneliness, where
one rode for sweltering miles for the chance of meeting a collector or
police officer, with whom most likely on closer acquaintance one had
hardly two ideas in common, where female society was represented at long
intervals by some climate-withered woman missionary or official’s wife,
where food and sickness and veterinary lore became at last the three
outstanding subjects on which the mind settled or rather sank. That was
the life he foresaw and dreaded, and that was the life he was going to.
For a boy who went out to it from the dulness of some country rectory,
from a neighbourhood where a flower show and a cricket match formed the
social landmarks of the year, the feeling of exile might not be very
crushing, might indeed be lost in the sense of change and adventure. But
Comus had lived too thoroughly in the centre of things to regard life in
a backwater as anything else than stagnation, and stagnation while one is
young he justly regarded as an offence against nature and reason, in
keeping with the perverted mockery that sends decrepit invalids touring
painfully about the world and shuts panthers up in narrow cages. He was
Public-domain text, read in full here on John Shaqi.
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