being put aside, as a wine is put aside, but to deteriorate instead of
gaining in the process, to lose the best time of his youth and health and
good looks in a world where youth and health and good looks count for
much and where time never returns lost possessions. And thus, as the
curtain swept down on the close of each act, Comus felt a sense of
depression and deprivation sweep down on himself; bitterly he watched his
last evening of social gaiety slipping away to its end. In less than an
hour it would be over; in a few months’ time it would be an unreal
memory.
In the third interval, as he gazed round at the chattering house, someone
touched him on the arm. It was Lady Veula Croot.
“I suppose in a week’s time you’ll be on the high seas,” she said. “I’m
coming to your farewell dinner, you know; your mother has just asked me.
I’m not going to talk the usual rot to you about how much you will like
it and so on. I sometimes think that one of the advantages of Hell will
be that no one will have the impertinence to point out to you that you’re
really better off than you would be anywhere else. What do you think of
the play? Of course one can foresee the end; she will come to her
husband with the announcement that their longed-for child is going to be
born, and that will smooth over everything. So conveniently effective,
to wind up a comedy with the commencement of someone else’s tragedy. And
every one will go away saying ‘I’m glad it had a happy ending.’”
Lady Veula moved back to her seat, with her pleasant smile on her lips
and the look of infinite weariness in her eyes.
The interval, the last interval, was drawing to a close and the house
began to turn with fidgetty attention towards the stage for the unfolding
of the final phase of the play. Francesca sat in Serena Golackly’s box
listening to Colonel Springfield’s story of what happened to a
pigeon-cote in his compound at Poona. Everyone who knew the Colonel had
to listen to that story a good many times, but Lady Caroline had
mitigated the boredom of the infliction, and in fact invested it with a
certain sporting interest, by offering a prize to the person who heard it
oftenest in the course of the Season, the competitors being under an
honourable understanding not to lead up to the subject. Ada Spelvexit
and a boy in the Foreign Office were at present at the top of the list
with five recitals each to their score, but the former was suspected of
doubtful adherence to the rules and spirit of the competition.
“And there, dear lady,” concluded the Colonel, “were the eleven dead
pigeons. What had become of the bandicoot no one ever knew.”
Public-domain text, read in full here on John Shaqi.
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