Francesca thanked him for his story, and complacently inscribed the
figure 4 on the margin of her theatre programme. Almost at the same
moment she heard George St. Michael’s voice pattering out a breathless
piece of intelligence for the edification of Serena Golackly and anyone
else who might care to listen. Francesca galvanised into sudden
attention.
“Emmeline Chetrof to a fellow in the Indian Forest Department. He’s got
nothing but his pay and they can’t be married for four or five years; an
absurdly long engagement, don’t you think so? All very well to wait
seven years for a wife in patriarchal times, when you probably had others
to go on with, and you lived long enough to celebrate your own
tercentenary, but under modern conditions it seems a foolish
arrangement.”
St. Michael spoke almost with a sense of grievance. A marriage project
that tied up all the small pleasant nuptial gossip-items about
bridesmaids and honeymoon and recalcitrant aunts and so forth, for an
indefinite number of years seemed scarcely decent in his eyes, and there
was little satisfaction or importance to be derived from early and
special knowledge of an event which loomed as far distant as a
Presidential Election or a change of Viceroy. But to Francesca, who had
listened with startled apprehension at the mention of Emmeline Chetrof’s
name, the news came in a flood of relief and thankfulness. Short of
entering a nunnery and taking celibate vows, Emmeline could hardly have
behaved more conveniently than in tying herself up to a lover whose
circumstances made it necessary to relegate marriage to the distant
future. For four or five years Francesca was assured of undisturbed
possession of the house in Blue Street, and after that period who knew
what might happen? The engagement might stretch on indefinitely, it
might even come to nothing under the weight of its accumulated years, as
sometimes happened with these protracted affairs. Emmeline might lose
her fancy for her absentee lover, and might never replace him with
another. A golden possibility of perpetual tenancy of her present home
began to float once more through Francesca’s mind. As long as Emmeline
had been unbespoken in the marriage market there had always been the
haunting likelihood of seeing the dreaded announcement, “a marriage has
been arranged and will shortly take place,” in connection with her name.
And now a marriage had been arranged and would not shortly take place,
might indeed never take place. St. Michael’s information was likely to
be correct in this instance; he would never have invented a piece of
matrimonial intelligence which gave such little scope for supplementary
detail of the kind he loved to supply. As Francesca turned to watch the
fourth act of the play, her mind was singing a pæan of thankfulness and
exultation. It was as though some artificer sent by the Gods had
reinforced with a substantial cord the horsehair thread that held up the
sword of Damocles over her head.
Public-domain text, read in full here on John Shaqi.
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