The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
We have stopped fighting the war and have gone into the movie business.
For two days all work has been suspended while the camp has posed before
the camera. They are making a big propaganda film for use in the States,
entitled “America’s Answer to the Hun” and Abainville and the
Abainville-Sorcy narrow-gauge is to be part of that answer. “Camouflage
pictures” sneer the boys, and camouflage pictures I blush to say they
frankly are. For on the screen the peaceful valley through which the
narrow-gauge is being built is to masquerade as a field of battle.
Camouflaged engineers, armed and equipped as infantry will march
valiantly across the landscape, while other engineers in helmets, with
their gas-masks at the alert, are plying their picks and shovels amid
the smoke of camouflage shrapnel; the climax being attained when the
helmeted engineers effect a lightning repair feat by bridging over a
carefully dug camouflage shell-hole.
Yesterday I saw a photograph cut from the Sunday Supplement of one of
America’s best known and most respected newspapers. Underneath the
picture ran the text, “American boys playing baseball on a field in
France where shells fall daily.” To my certain knowledge the only shells
that have ever fallen on that field or within many miles of it are
peanut shells. For the field in the picture is most plainly and
indisputably the Y. athletic field at Gondrecourt. Will I ever, I
wonder, recover my pre-war faith in newspapers and photographs and
movies and such things?
But now we have done our turn before the camera, it’s back to work again
and very hard work at that, for the officers are determined to set a
record for all the world in laying track. Already the little railway has
shot ahead at an amazing rate; though whether track laid in such a hurry
is really going to make for speed in the long run is a question on which
the trainmen, sipping their pink lemonade at the canteen counter, have
their own opinions. For no train, it seems, can make the run at present
without leaving the track at least once during the journey.
“Sun-trouble” say the officers, which means, being interpreted, that the
heat of the sun’s rays has warped the rails. “Sun trouble nothin,’”
grunt the men. “It’s just not takin’ the time to do the job decent.”
When the “sun trouble” doesn’t serve to throw a train off the track, the
French children see to it that the same effect is produced by the simple
expedient of dropping spikes in between the ends of adjoining rails.
Public-domain text, read in full here on John Shaqi.
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