The Uncensored Letters of a Canteen GirlMorse, Katharine Duncan
History
The Uncensored Letters of a Canteen Girl
Morse, Katharine Duncan
World War, 1914-1918 -- Personal narratives
After dinner we went on a trip through the Citadel, that vast
underground soldier-city with its miles of corridors and rooms enough to
harbor a whole army, a little world deep underneath the earth. We saw
the bakery which bakes bread not only for the whole garrison but for all
the troops in the vicinity; the Foyer, a writing and recreation hall,
named in honor of President Wilson; the movie theatre; and the hospital
with its wards and operating room,—what a nightmare horror I thought to
be sick in those damp and dimly-lighted subterranean caverns! But we
were not allowed to see more than the outer door of the chapel which
they say is sumptuous, since it is enriched by all the costly
furnishings and precious images moved there for safety’s sake from the
Cathedral. Nor were we shown the underground café where, I have been
told, an unusually good brand of beer is sold.
From the Citadel, rumour has it, tunnels lead out to the circle of forts
that form the defences of Verdun, but if you ask a Frenchman if this is
so, he only looks wise and keeps mum.
Verdun, February 25.
I don’t believe there is another canteen quite like my canteen in the
whole of France. It is a canteen for French civilians. The one-time
inhabitants of Verdun and the devastated area beyond are allowed by the
government, it seems, just twenty-four hours in which to visit their
former homes, after which they must return as there is no food for them
here and very little shelter. In return for many favours the French
authorities asked the Y. to co-operate with them in running a sort of
rest-room for these refugees; they supplying a detail, and we supplying
the materials to make hot chocolate which is given away, and a secretary
to take charge. The canteen is in the Collège Buvignier at the foot of
the hill. There is a _dortoir_ in the building also, in charge of the
man who was once manager of the principal hotel in the city; two long
halls full of cots with straw mattresses where the refugees may pass the
night. My assignment to this canteen is only to be temporary.
The room where my canteen is must have once been quite beautiful,
high-ceilinged with wainscot panelling below and embossed leather
covering the walls above. Even now in its state of dingy disrepair, with
half the panes in the tall arched windows replaced by dirty cloth, it
keeps something of its old dignity and charm. Beyond the main room is
another smaller one, connected by two doors, in which the detail lives
and in which we make our chocolate.
Public-domain text, read in full here on John Shaqi.
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